BRIDGE OF DRAGONS
Bridge of Dragons is one of Dolph Lundgrens more routine films. Bridge of Dragons is directed by Israeli born former karate expert and fight choreographer Isaac Florentine. Isaac Florentine has directed a series of unremarkable action films, including the likes of Desert Kickboxer (1992), High Voltage (1997), Savate (1997), the sf film Cold Harvest (1998), US Seals II (2001), Special Forces (2003), Undisputed II: Last Man Standing (2006), The Shepherd: Border Patrol (2008), Ninja (2009), Undisputed III: Redemption (2010), Sofia/Assassins Bullet (2012), Ninja: Shadow of a Tear (2013), Close Range (2015) and Acts of Vengeance (2017) as well as numerous episodes of the various incarnations of tvs Mighty Morphin Power Rangers.
Bridge of Dragons comes with an intriguing set-up. Immediately after it opens, we sit puzzling over exactly what world we are in. The film seems to take place in a monarchy that is set in a quasi-wilderness that could be post-holocaust. Inside the city however, modern Jeeps and Russian helicopters sit alongside vehicles and costumes from the 1930s, while out in the wasteland people live amid ruins and use horseback technology. The evil generals troops wear the uniforms of World War II German infantry, the leaders of the mythical kingdom are Asian, while the extras looks Israeli. (Bridge of Dragons was actually filmed in Bulgaria). The opening title card informs that the film takes places somewhere where the past meets the future. Clearly the film is borrowing a leaf from Star Wars (1977) and its claim to be set in a galaxy far, far away or perhaps what the peculiar Beowulf (1999) tried to do in creating a world that is an atemporal mix of post-holocaust and the past.
In this sense, Bridge of Dragons is a fantasy film that has been told in the guise of an action film. The forthright princess heir to the throne who flees from marriage to an evil tyrant, the dark lord who wields malevolent influence over the kingdom, the warrior hero who has lost his parents in tragic circumstances, the good peasant rebels in the wilderness are all staple tropes of sword-and-sorcery fantasy. Only, Bridge of Dragons actively resists any fantasy elements. Indeed, the only fantastic element in the film at all is its setting a kingdom that is a mix of future and quasi-familiar past. There are almost times that one thought that Bridge of Dragons might open out into fantasy like where Dolph Lundgren says that only he knows how to kill General Ruechang (spelt Roechang on the end credits), where for a moment one thinks that the film is suddenly going to open out into evil sorcerer territory and have Lundgren reveal secret information about the magical means to kill the otherwise invulnerable dark lord. Alas, it doesnt.
Isaac Florentine directs the action with a satisfying brutal punch. The action scenes come at regular intervals and certainly this side of the film does not disappoint, particularly impressive being the modestly scaled massacre of the rebel encampment during the middle of the film. The story at least creates an initially promising arc, although in the end this only comes down to being an average and predictable by-the-numbers plot, which is disappointing considering the interesting milieu that Isaac Florentine has taken the time to set up. It should also be noted that the title Bridge of Dragons has no relevance to any thing or place in the film.
Dolph Lundgren has the solid action presence and laconic personality down pat by now and is serviceable, even if the role does feel like he is playing it by the numbers. Hong Kong-born actress Rachel Shane (who appears under the name Valerie Chow in her Hong Kong roles) comes across with a strong independent intelligence, not to mention throws some mean punches of her own.
(Review copy provided courtesy of Ryan Kenner from Movies in the Attic).