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A CONNECTICUT YANKEE IN KING ARTHURS COURT
Rating:
USA. 1949.
Director Tay Garnett, Screenplay Edmund Beloin, Based on the Novel by Mark Twain, Producer Robert Fellows, Photography Ray Rennard, Songs Johnny Burke & Jimmy Van Heusen, Special Effects Gordon Jennings, Art Direction Roland Anderson & Hans Dreier. Production Company Paramount.
Cast:
Bing Crosby (Hank Martin), Rhonda Fleming (Lady Allesande), William Bendix (Sir Sagramore), Sir Cedric Hardwicke (King Arthur/Lord Pendragon), Mervyn Vye (Merlin), Henry Wilcoxon (Sir Lancelot), Virgina Field (Morgan-le-Fay)
Plot: After being hit by a lightning bolt, blacksmith Hank Martin wakes up in the year 528 A.D. He is found by the knight Sir Sagramore and taken to the court of King Arthur. But there Sagramore elaborates the tale of how he captured Hank and calls him a dragon in human guise, whereupon Merlin sentences Hank to burn at the stake. Hank manages to escape his fate by displaying magic with the inventive use of a convex lens and a box of matches. Knighted as Sir Boss, he woos the beautiful Lady Allesande. He must fight a duel for her hand with her intended Sir Lancelot, which he wins using a lasso. However, when he and Arthur set out to examine the conditions in the kingdom, the evil Merlin takes the opportunity to imprison Arthur and steal the throne.
A Connecticut Yankee in King Arthurs Court (1889) was one of Mark Twain (Samuel Clemens)s lesser regarded classics, although it did cause considerable upset when it came out, offending the British with Clemenss vulgar lampooning of they and the monarchist tradition. The book has proven extremely popular on film. This was the third cinematic version. The first film was a silent version A Connecticut Yankee in King Arthurs Court (1921), followed by a sound adaptation A Connecticut Yankee (1931) starring Will Rogers. There have been numerous others since, almost all made for tv A Connecticut Yankee in King Arthurs Court (tv movie, 1978) and A Connecticut Yankee in King Arthurs Court (tv movie, 1989). Disparate versions include Disneys Unidentified Flying Oddball/The Spaceman and King Arthur (1979), which diverted from the story somewhat and added a bevy of space shuttles and android duplicates of the hero; A Kid in King Arthurs Court (1995) and A Young Connecticut Yankee in King Arthurs Court (tv movie, 1995), which played it out as kids movies; the modernized A Knight in Camelot (tv movie, 1998) with Whoopi Goldberg as the time traveller; and Black Knight (2001), which cast Martin Lawrence as a hip Black man thrown back in time; even A Connecticut Rabbit in King Arthurs Court (1978) with Bugs Bunny.
This version is usually the best regarded of all the adaptations but makes for painful watching today. Though the adaptation is generally faithful to the book, in terms of production values it is conducted at the level of a high school pantomime cardboard and tinsel spectacle (although it is at least well photographed in Technicolor). Where Mark Twain engaged in an amusingly vulgar satire of the English, the film reduces the Arthurian cycle to the punching bag of idiot buffoonery Arthur is portrayed as a doddery old man, Merlin as a scheming conman, while the Knights of the Round Table are there only for the brunt of Bing Crosbys idiocy. Take case in point the supposed outrage at the feudal exploitation of the peasantry, but this is a wrong that is never remonstrated about any further than the requirements of a plot point.
The worst thing about the film is Bing Crosby who walks through proceedings with a bland non-expression that sort of suggests a lost puppy dog, challenging everyone he meets with the honorific Buster or Bub. In one scene following a lengthy villainous tirade from Merlin, Crosbys only reply is to nod and a comment Nice guy to nobody in particular. It is this kind of watery idiocy that states a good case for retroactive abortion.
Copyright Richard Scheib 1999-2012
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