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    DUDES
    Rating½

     
    USA. 1987.
    Director – Penelope Spheeris, Screenplay – J. Randal Johnson, Producers – Herb Jaffe & Miguel Tejada-Flores, Photography – Robert Richardson, Music – Charles Bernstein, Special Effects – Image Engineering (Supervisor – Peter Chesney), Production Design – Robert Ziembicki. Production Company – Vista Organization.
    Cast:
    Jon Cryer (Grant), Daniel Roebuck (Biscuit), Catherine Mary Stewart (Jessie), Lee Ving (Missoula), Flea (Milo), Pete Willcox (Daredelvis), Calvin Bartlett (Witherspoon)
     

     
    Plot: Three punks, Grant, Biscuit and Milo, get tired of waiting for the end to come in New York and decide to drive to California where life can only be better. The three of them camp by the roadside for the night but are interrupted by a gang, led by the vicious Missoula. They escape but as Grant and Biscuit watch Missoula catches Flea and shoots him in the head. Aided by a daredevil Elvis impersonator and a ghost cowboy, Grant and Biscuit set out in pursuit of Missoula to obtain revenge.
     

     
    Penelope Spheeris is best known these days known for mainstream comedies like Wayne’s World (1992), The Beverly Hillbillies (1993) and Black Sheep (1996).

    Dudes is one of her early films and is an almost unclassifiable oddity – a punk-road movie-Western-ghost story. It’s certainly bizarre and odd. It can be seen as an aggressively deconstructed collage of cinematic myths – constant references between the Arizona landscape and its cinematic counterparts is made, including everything from Jesse James (1939) to The Andromeda Strain (1971), characters have frequent dreams in which they are Indians, while the revenge plot itself is really an ironic modernized Western. But for all that it feels somewhat hollow and self-conscious in its willful oddity.

    The good parts about it are the viciously evil performance from Lee Ving. Jon Cryer and Daniel Roebuck are respectively precocious and stolid but the one thing that Spheeris does build into the characters through it all is a sense of growth – the journey taken from punk losers to, in the end, cowboy heroes is something that quite surprises one with its strength.
     


    Copyright Richard Scheib 1999-2012