EVERYONE SAYS I LOVE YOU
Everyone Says I Love You was Woody Allens attempt to create a musical. The musical and the simplicity of its larger-than-life emotions might seem something at odds with Allens neurotic chamber comedies. On the other hand, Allen is a music lover, plays a regular gig in a jazz quartet and invariably scores his films with old time swing music. In fact, Allens eccentricities and the nature of the musical merge in some amusing ways. Everyone Says I Love You is a real people musical one where a number in the street is joined by choruses of homeless, ladies on walking frames and mothers with strollers and where even the mannequins in storefront windows come to life; or where a number in a hospital has doctors singing about the x-rays and is joined by a chorus of people in bandages, crutches and full-body casts.
One of the pluses about Woody Allen films these days is that he is one of the directors that actors line up to work with and manages to assemble huge name casts without having to mount colossal budgets. The cast here Drew Barrymore, Edward Norton, Goldie Hawn, Julia Roberts, Tim Roth, Natalie Portman would in any other production triple the production costs. Natasha Lyonne as Allens daughter is a lot of sparkly fun. Allens biggest coup is in casting Julia Roberts as his own love interest. Ever since his highly publicized split with Mia Farrow, Allen, in a bizarre case of middle-aged denial, keeps casting young gorgeous actresses two to three decades younger than he as his romantic interests. Certainly the relationship between the dazzling 28 year-old Julia and the neurotic 61-year old Woody is not one that particularly convinces, even though she enlivens the part with her natural glamour.
Everyone Says I Love You is amiably frothy without being particularly riotous. The plot is like another of Woody Allens Manhattan socialite ensemble comedies a weaker, fluffier Hannah and Her Sisters (1985) perhaps. Allen tells two stories the romance between himself and Julia Roberts, and the story between Drew Barrymore and Edward Norton where she is sidetracked away to have an affair with ex-con Tim Roth. Neither are particularly satisfactory as stories and peter out in particular when it comes to their conclusions. Drews affair with Tim Roth is amusing but the story arc simply ends with her deciding to return to Edward Norton and wraps up on a hurried acceptance on his part. In the other story, the break-up with Julia Roberts is vague and the film ends with the suggestion that Allen might be getting back with ex-wife Goldie Hawn but leaves us in a state of uncertainty about whether such is the case or not.
Certainly, there are some amusing gags packed away there is one scene of particularly Allen-esque mercilessness as Drew Barrymore accidentally swallows an $8000 diamond ring that Edward Norton romantically serves up to her on a parfait in a restaurant. There are some cute character bits Lukas Haas who turns into an ardent young Republican as a result of an intestinal blockage, or Tim Roths highly amusing part as a just-paroled criminal who develops intentions toward Drew Barrymore. The most bizarrely surreal moment is a funeral where the ghost of Grandpa gets up out of the coffin and, joined by a chorus of geriatric ghosts, starts singing about enjoying life. Allen, for around the first time ever, travels outside of New York City to shoot and takes in some gorgeous location shoots in Paris and Venice. There is a momentarily very lovely scene at the end where Allen and Goldie Hawn sing a number on the banks of the Seine and she begins to gracefully fly through the air.
Woody Allens other films are: Play It Again Sam (1972), Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972), Sleeper (1973), Love and Death (1975), A Midsummer Nights Sex Comedy (1982), Zelig (1983), The Purple Rose of Cairo (1985), New York Stories (1989), Alice (1990), Shadows and Fog (1992), Mighty Aphrodite (1995), Deconstructing Harry (1997), Match Point (2005), Scoop (2006), Midnight in Paris (2011), To Rome with Love (2012) and Magic in the Moonlight (2014).
(Nominee for Best Original Screenplay and Best Supporting Actress (Natasha Lyonne) at this sites Best of 1996 Awards).