(Gokudo Kyofu Dai-Gekijo: Gozu)
Gozu was made just at the point when Takashi Miike had started to be discovered as a cult figure in the West. You could say it came right on the dividing line between the films where Miike went for broke and set out to cause outrage and those that were made subsequently when Miike knew he had an audience and was determined to indulge himself, resulting in some outlandish experiments. These latter have included the likes of the incomprehensible sf/gay prison love story Big Bang Love, Juvenile A (2006), the Japanese Western Sukiyaki Django Western (2007), Gods Puzzle (2008) and the madcap YatterMan (2009), a live-action adaptation of an anime tv series.
Gozu is very much playing into this newfound audience and is Takashi Miike delivering what everyone expects of him the weird and the bizarre. At the outset, it could easily be another of Miikes Yakuza films indeed, the presence of Sho Aikawa, the mainstay of the Dead or Alive series, immediately places Gozu into the same territory. The film has a 150-minute running time and for much of it leaves you scratching your head wondering what is going on and where Miike is taking everything. When we are first introduced to him in the midst of a Yakuza meeting in a restaurant, Sho Aikawa rushes outside and kills the chihuahua of a couple on the street, insisting that it has been trained to attack Yakuza. There is no particular dramatic momentum to the main part of the story, just Hideki Sone encountering increasingly stranger things going on around the town in his search for his missing brother a teahouse where one of the patrons repeats the same conversation over and over wondering whether it was hotter today or yesterday, while the waiter that serves them is a man in womans clothing and the soup that they insist on offering Hideki Sone is poisoned; Sone makes a phone call to his Yakuza boss (Renji Ishibashi) who answers it in the midst of humping a girl while he has the handle of a ladle impaled up his ass; Sone takes a bath at the guest house, only to be interrupted by the middle-aged innkeeper (Keiko Tomita) coming in and trying to offer him some of her breastmilk (later we see the innkeeper and her brother have an operation to bottle her breastmilk for sale). Things become increasingly more outlandish and surreal there is the blackly funny scene where the innkeeper says that her brother (Harumi Sone) can talk to spirits and will locate the missing Sho Aikawa and so starts beating Harumi with a riding crop to force the powers to come out at the same time as he runs around the room crying that he does not have any abilities; the visit to the store owners American wife who speaks bad Japanese before we see that she has every answer to the questions that Hideki Sone has been asking written up on the wall; dreams of a man in his underwear in the bedroom with the head of a cow that comes up and licks Sones face.
So far we have a film that feels like Coen Brothers in slow-motion all the blackly deadpan background characters but taking place at half the speed while what happens is mildly surreal but nothing that actually enters into genre territory. This does an abrupt change about the 90-minute point where Hideki Sone goes to the junkyard to find his brother only to learn that he appears to have been crushed in a metal compactor. He then returns to the open-top coupe car and meets a beautiful girl (Kimika Yoshino) waiting there who insists that she is the missing brother and seems to have all the intimate memories that back this up. At this point, it feels as though Takashi Miike is giving us a gender-swapping variant on Lost Highway (1997) wherein Bill Pullman inexplicably turned into Balthazar Getty halfway through the film.
This is about the point that Gozu started to get interestingly twisted. [PLOT SPOILERS]. Hideki Sone goes to a hotel with his brother/sister but starts to feel sexual desire for her something she takes no particular objection to and urges him to lose his virginity. Upon starting to undress her as she sleeps, he hears voices coming from her vagina. He takes her back to the city where she insists on going to meet the Yakuza boss, pretending to be the daughter of a late associate whereupon the boss takes her to his place ostensibly for her new job and sets out to bed her. Having sex involves the boss him reaching for his collection of ladles to work up his ass in order to get erect only for Hideki Sone to burst in through the window to rescue his sister, the boss to fall and be impaled on his ladle whereupon Sone touches the ends of an electric lamp to the stub of the ladle to fry the boss. Things become even more bizarre after that. Hideki Sone decides to take up Kimika Yoshinos offer to have sex. Our minds are trying to twist around the idea of a guy having sex with a woman who is really his brother a mix of gender-bending incest that may actually be a new fetish in search of a name. However, as soon as he gets inside her, he discovers that his dick is stuck and he is unable to pull out, resulting in the bizarre image of him crawling across the floor, dragging her attached body with him. He finally manages to wrench himself out, only for a hand to push its way out of her vagina, followed by brother Sho Aikawa rebirthing himself from her womb. The last image is of the two brothers and Kimika Yoshino happily walking down the street arm in arm.
Takashi Miikes other genre films are: Full Metal Yakuza (1997), a yakuza/cyborg film; the teen film Andromedia (1998) about a schoolgirl resurrected as a computer program; The Bird People in China (1998) about the discovery of a lost culture; the torture and sadism film Audition (1999); the Yakuza film Dead or Alive (1999), which comes with a gonzo sf ending; the surreal Dead or Alive 2 Birds (2000); the six-hour tv mini-series MPD Psycho (2000) about a split-personalitied cop tracking a serial killer; the surreal black comedy The Happiness of the Katakuris (2001); Ichi the Killer (2001), a Yakuza film with some extreme torture scenes; the controversial taboo-defying Visitor Q (2001) about a mysterious visitor; the Cyberpunk future-set Dead or Alive: Final (2002); One Missed Call (2003) about ghostly cellphone calls; the ultra-violent Izo (2004) about a cursed, immortal samurai; an episode of the horror anthology Three ... Extremes (2004); the superhero film Zebraman (2004); the fairytale Demon Pond (2005); the supernatural fantasy epic The Great Yokai War (2005); Big Bang Love, Juvenile A (2006), a prison murder mystery with SF elements; the SF film Gods Puzzle (2008); YatterMan (2009), a gonzo live-action remake of a superpowered anime tv series; Zebraman 2: Attack on Zebra City (2010); Lesson of the Evil (2012) about a murderous high school teacher; As the Gods Will (2014) with high school students being slaughtered by a doll; Over Your Dead Body (2014), a horror film set backstage of the rehearsals of a ghost story play; the gonzo horror film Yakuza Apocalypse (2015); and Terra Formars (2016) about giant mutated cockroaches on Mars.