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Hoodwinked Too! Hood vs. Evil has been promised ever since the original came out with various release dates being announced off and on over the last six years. Its uncelebrated and unnecessary presence finally emerges here at the start of the 2011 summer movie season. The production delays have proven the opportunity for the studio to boost the film with another wholly unnecessary gimmick fad of the moment post-production conversion to 3D. Here, with the animation not too much more advanced than the cut-price work that was employed on Hoodwinked!, the 3D has the effect of making many of the trees in the forest and buildings look exactly like the unfolded dioramas in a childrens pop-up book. The Hoodwinked! films represent one of the more annoying trends to take over modern fantasy the overriding of the fantasy milieu with modern quips, pop-culture in-references and smartass one-liners. They are films that seem to need to puncture the essential suspension of disbelief that fantasy should operate on with a knowing modern cynicism. They are entirely about pitching films down to audiences rather than transporting people into a magical world as a fantasy/fairytale should do, they are about polluting the fantasy with quick-shot gags that designed for modern media-saturated audiences to pick up on. Hoodwinked Too!, for instance, comes chockful of references and gags to other movies and pop songs Red Riding Hoods cellphone plays Kung Fu Fighting (1974) while her martial arts training sequences homage Kung Fu Panda (2008) and Kill Bill; there is an elaborate parody of The Silence of the Lambs (1991) during the scenes where they go to visit Boingo the Bunny; the Three Little Pigs quip Im going to Tweet this; while the HEA arrest characters with parodies of the Miranda Rights like You have the right to a fairy godmother ... you have the right to a treadmill and so on. The city they visit is filled with various brand-name takes on fairytale characters a gag copied from Shrek 2 (2004). There are also several one-liners breaking the fourth wall and acknowledging the fact that this is a sequel.
I found almost nothing in Hoodwinked Too! Hood vs. Evil that appealed in any way, even if in the end it is a less gratingly irritating film than Hoodwinked! was. The gags seem to be about all there is to it. The dialogue is given an annoyingly hip, cynical voicing by most of the cast. To its credit, Hoodwinked Too! moves fast, although almost all of the action sequences are slapstick sequences notably an incredibly silly one with the Three Little Pigs blowing up the Wolfs caravan with a rocket launcher. About the only even moderately clever thing that could be said about the original was its borrowing from the basics of Rashomon (1950) to deconstruct the classic telling of Little Red Riding Hood and show that everything was not what it appeared to be. Hoodwinked Too! abandons the retelling of a classic story aspect and is more like a standard detective story set in a fairytale world. At most, it gives us several fairytale characters Hansel and Gretel, the Three Little Pigs where their classic portrayal is turned on its head to reveal they are villains. Even the principal characters are different to the ones they were the first time out where they appear to have now settled their differences and joined a law enforcement agency.
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