|
|
|
|
|
|
 |
| Science-Fiction |
|
|
| Horror |
|
|
| Fantasy |
|
|
|
|
|
|
|
|
|
|
|
|
|
LOST HORIZON
Rating: 
USA. 1937.
Director/Producer – Frank Capra, Screenplay – Robert Riskin, Based on the Novel by James Hilton, Photography (b&w) – Joseph Walker, Music – Dimitri Tiomkin, Photographic Effects – Ganahl Carson & E. Roy Davidson, Art Direction – Stephen Gooson. Production Company – Columbia.
Cast:
Ronald Colman (Robert Conway), Jane Wyatt (Sondra), H.B. Warner (Chang), Edward Everett Horton (Lovett), Thomas Mitchell (Henry Barnard), Sam Jaffe (High Lama), John Howard (George Conway), Margo (Maria), Isabell Jewell (Gloria Stone)
Plot: A group of British subjects flee China during an uprising but their plane crashes in the Himalayas. They are found by monks and taken to Shangri-La, a fertile Valley that strangely exists among the snowy wastes. There they settle into Shangri-La’s peaceful, unworried way of life. In Shangri-La, they learn that relieved from the worries of civilization they can enjoy a lifespan of several hundred years. The only catch is that they can never leave the Valley .
Lost Horizon has become regarded as one of the classics of its era. It was a huge hit in its time. Coming at the end of The Depression, it seemed to hit a chord in offering a grand dream of escape from all the worries of modern life, the fantasy of being able to find a remote corner of the globe where one could live in peace, where there is no need for money, where everything is plentiful, where all squabbling is overcome merely by courtesy, and where the total absence of worry brings near immortality.
Today Lost Horizon is most certainly an overrated classic. The nebulousness of its wish-fulfillment all seems somewhat naïve. All the misty-eyed presentiments of the High Lama come out rather insipid and banal. Shangri-La itself looks less like Utopia or a Buddhist retreat than it does a rather tacky Hollywood country club after the Art Deco designers have moved in. And as with almost any work of Utopian fiction, it has the great dramatic problem that in a perfect and harmonious world there is a substantial lack of drama and internal conflict.
It is all rather ponderous and slow, yet there are times when Lost Horizon has moments of greatness. The initial escape, flight and rescue are quite excitingly directed. And the final image of John Howard struggling through the snows to return to Shangri-La have the epic quality of someone struggling to regain a lost dream that are cinematically endearing. The film also has a reasonable cast, including Ronald Colman and Jane Wyatt, with Edward Everett Horton proving somewhat of a scene stealer as the prissy-mannered, tetchy Lovett.
Most versions of Lost Horizon in existence today are the version that was re-edited for television, which is missing 25 minutes of the original 132 minute release print. The complete original print seems to be lost today. In the 1980s, a version was pieced together from various sources containing some of the lost footage as well as 7 minutes of scenes that are represented by stills overlaid with the complete soundtrack.
The film was remade in colour as a musical as Lost Horizon (1973), a production that was widely regarded as a disaster of epic proportions. Shangri-La and its secrets of immortality also makes an appearance in The Mummy: Tomb of the Dragon Emperor (2008). The notion of the lost Valley where people can become immortal was also borrowed by Star Trek: Insurrection (1998).
The notion of Shangri-La has become so widespread that there are a number of tourist locations in China, Tibet and Pakistan that lay claim to being the historical Shangri-La. In an episode of the British tv series In Search of Myths and Heroes (2005), historian Michael Wood made an effort to trace the historical basis of Shangri-La and claimed that the abandoned city of Tsaparang in Tibet was the real location.
Director Frank Capra became celebrated for his sentimental visions of the American heartland, as in films such as It Happened One Night (1934), Mr Deeds Goes to Town (1936) and Mr Smith Goes to Washington (1939). Capra ventured into genre material upon two other occasions with the Grand Guignol murder comedy Arsenic and Old Lace (1944) and the angelic-intervention classic It’s a Wonderful Life (1946).
Copyright Richard Scheib 1999-2012
|