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The series was also lacking the presence of Maureen OSullivans Jane, OSullivan having departed the series after Tarzan's New York Adventure. Due to the public furore that erupted when the producers tried to kill Jane off at the end of Tarzan Finds a Son (1939), the role of Jane was simply written out of the series rather than the part recast. The film now maintains the fiction that Jane is there this time she is absent from the story because she is acting as a nurse for the war cause in North Africa (which provides the films raison detre). Subsequent to OSullivans departure, rather than giving Tarzan romantic liaisons, the Johnny Weissmuller films tended to cast other actresses as Jane substitutes Nancy Kellys Connie Bryce here is one of the more successful, with Kelly later an Oscar nominee for The Bad Seed (1956) giving an amusingly peppery performance. Johnny Sheffields Boy is still present and the film retains the same absurd nuclear family substitute as when Maureen OSullivan was present with Boy at one point asking Nancy Kelly to act as substitute mother and say his prayers just like Jane did. Like all but the first two Johnny Weissmuller films, Tarzan's Desert Mystery is routine. The plot is a dull affair. All the Arabic characters tend to be characterized as either swarthy or as buffoons. The dialogue is frequently bizarrely purple: Oh brother, do you give the Kings English the St Vitus Dance, says Nancy Kelly upon encountering Tarzans Pidgin English. The plot can hardly be called believable at one point, Tarzan and Boys escape plan involves getting Cheetah to steal turbans all over the city in order to make a rope to climb down from the tower where they are imprisoned. (It is a sequence that pointedly doesnt seem to know the difference between a turban and a burnoose). Even more so than before, cute Cheetah antics are pushed to the foreground with extended sequences like the turban theft and another where Nancy Kelly ropes Cheetah into doing circus acrobatics before a gathered bazaar crowd. There is an overtly fantastique element here more so than in previous entries with a chase sequence during the last ten minutes involving encounters with optically enlarged lizards, giant spiders and people-devouring flytraps. The other Johnny Weissmuller Tarzan films are: Tarzan the Ape Man (1932), Tarzan and His Mate (1934), Tarzan Escapes (1936), Tarzan Finds a Son (1939), Tarzans Secret Treasure (1941), Tarzans New York Adventure (1942), Tarzan Triumphs (1943), Tarzan and the Amazons (1945), Tarzan and the Leopard Woman (1946), Tarzan and the Huntress (1947) and Tarzan and the Mermaids (1948).
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