TOY STORY 2
The motivations behind an animated sequel seem even more dubious than in the case behind most sequels. This can be clearly seen in Disneys plague of direct-to-video sequels of the 1990s/early 00s The Return of Jafar (1994), The Lion King II: Simbas Pride (1998), Pocahontas II: Journey to the New World (1998) et al and the Little Mermaid (1992-5) and Aladdin (1993-6) tv series that cynically exploit their feature-length counterparts for the sole reason of milking more money from an undiscerning child audience. (Ironically, Toy Story 2 director John Lasseter made a point of cancelling these Disney sequels when he became Disneys chief creative officer in 2006). Animated films work on simple mythic plotlines that make them best when they work as one-off stories.
Toy Story 2 quickly allays all these fears. It is arguably an even better film than the first Toy Story. Pixar have correctly placed the emphasis on plot and character rather than upping the rendering rate and throwing in animation that is more wondrous. There is a small tendency to do this with a series of razzle-dazzle set-pieces the attempt to cross the roads hidden under traffic cones, the climactic boarding and escape from the plane to Japan. However, while these are dramatically enthralling, the emphasis always remains on story. In this respect, Toy Story 2 is a model of what all good sequels should be it expands and allows the original characters to grow while fleshing out their background. The story emphasizes moral choices with Woody having to make a difficult decision between living with his family and going to Japan and being adored forever or returning to Andy who will eventually grow up and abandon him. (One might note here that Toy Story 2 eventually comes down on the side of a subtle emphasis where toy collecting by adults is seen as stifling as opposed to toys collected by children, which is seen as innocent and loving).
The secondary story is an adventure story but this is anything but straightforward. Here the film manages to wittily deflate any standard adventure at every point. It comes packed with all manner of witty and knowing asides about toys and toy collecting. A trip to the toy warehouse contains an encounter with a rack of Barbie dolls who are seen engaged in an Hawaiian party like some manic outtake from a Gidget movie. (Pixar have clearly gotten the licensing for Barbie from Mattel, something they were unable to do for the first film where the Bo Peep character was to have been played by Barbie). There are even snide digs at their own licensing This is Buzz Lightyear, who was first introduced in 1995 the popularity of which toy stores were unprepared for and unable to make demand, says Tour Guide Barbie, tossing a barb in the direction of the failure of toy companies to pick up on the popularity of Toy Story.
The funniest gag is the parody of The Empire Strikes Back (1980) between Buzz Lightyear and his archenemy Emperor Zurg wherein comes an Luke, I am your father, revelation the last we see of the two characters is a game of catch with Zurgs pellet gun. The most memorable scene in Toy Story 2 is the song sung by Jessie in memory of her human owner, which is filled with some beautifully plaintive moments of loss and sadness. It is a scene where the film stops still for a couple of minutes and holds the entire audience spellbound.
Pixar went onto make a further sequel with Toy Story 3 (2010).