30 NIGHTS OF PARANORMAL ACTIVITY WITH THE DEVIL INSIDE THE GIRL WITH THE DRAGON TATTOO
The Friedberg-Seltzer movie parody gave all appearance of having died away by 2008 but suddenly seemed to undergo a revival in 2013. Friedberg and Seltzer turned out The Starving Games, while Scary Movie spawned another entry after a seven year gap with Scary MoVie (2013) and Malcolm Wayans who had starred in the first two Scary Movies directed and starred in A Haunted House (2013). 30 Nights of Paranormal Activity, Scary MoVie and A Haunted House circle around very similar targets all are largely construed as parodies of Paranormal Activity (2007). (This film also borrows elements from the Paranormal Activity sequels like the pool cleaning robot and the fan camera). 30 Nights of Paranormal Activity shares several other spoofs in common with these films both it and A Haunted House parody The Devil Inside (2012), while it and Scary MoVie feature parodies of Black Swan (2010).
Director/writer Craig Moss first appeared with another short spoof Shaving Ryans Private (1998). This led to the feature-length The 41-Year Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It (2010), followed by Breaking Wind (2012), spoofing the Twilight series, as well as the non-parody vigilante film Bad Ass (2012), which spawned two sequels. Moss subsequently went on to make two non-comedy horror films with The Charnel House (2016) and Nightmare Nurse (2016).
Craig Moss fairly much follows the Friedberg-Seltzer formula take a bunch of films that have come out in the past twelve months and do inane, stupid and especially crude and scatological things with them. Pepper the show with lots of snide jokes about celebrities of the moment and pitch the entire film for people who have IQs in the double-digit range. Thus we get spoofs of everything from tv reality shows like The Apprentice (2004 ) including a Donald Trump lookalike, Ghost Hunters (2004 ) and Storage Wars (2010 ); the pottery love scene from Ghost (1990); the Resident Evil series where counterparts of Alice turn up (and makes out with a lookalike of Selene from the Underworld series) and reference is made to Flip Schultz going to work for The Umbrella Corporation; Olivia Alexander plays a lookalike of Rooney Maras Lizabeth Salander from The Girl with the Dragon Tattoo (2011); films like The Artist (2011) French Stewarts father is supposed to have eaten them, Abraham Lincoln, Vampire Hunter (2012) and The Hunger Games (2012), and a Bane from out of The Dark Knight Rises (2012), among others. It should be pointed out that the films characters only rarely resemble their counterparts in the original films Abraham Lincoln now becomes a sleazily smooth charmer who lives next door, while in The Girl with the Dragon Tattoo films Lizabeth Salander was someone broken and brittle due to abuse, but here she is no more than a bored, cynical teenager.
I always thought that Friedberg and Seltzer were some of the worst directors currently at work in the US mainstream. What may be even worse than Friedberg and Seltzer is a failed attempt to imitate their films. If you have to commend Friedberg and Selzter (and I have nothing I wish to praise about anything they have ever done I only wish to make this in comparison to how Craig Moss fails), they are at least capable of directing their spoofs towards some crude and rude punchline. By contrast, Craig Moss flounders around and rarely ever finds a punchline. It results in a slightly less crude and moronic film but one that is no less witless. The film lets its performances get as ridiculous as possible, most annoyingly being Peter Gilroy and Tyler Stephen Phillips as the two Ghost Brothers. As with a film like this, there has to be a swag of minorities to take potshots at, including a gay Latino character known as Felipe the Manny, played by Arturo Del Puerto in as flamingly an over the top way as possible, as well as a dwarf and a plus-size girl (a parody of singer Adele) who are only present to be made fun of. There is one mildly amusing scene where Kathryn Fiore is dragged out of the door (a la Katie Featherston in Paranormal Activity) down the street to the convenience store and then exits again with some groceries and returns to the house where we next see the ghostly entity eating them. I dont know, I found it mildly amusing (about the only thing in the film that was).