Fulcis heyday was between 1979 and 1981. He made a number of other films right up until his death in 1996, however these are substantially less interesting. During this period, Fulci was suffering for poor health due to diabetes, which led to financial problems. He had also had a bitter split with his regular screenwriter Dardano Sacchetti and was having difficulty attracting financing. The works he did produce seem watered down copies of the ferocious originals he delivered in his heyday. Aenigma demonstrates that Fulci has certainly not stopped delivering gore effects but the effort also seems more indifferent hackwork than anything else.
Lucio Fulci was always the low-rent cousin of Dario Argento and his works seem to go tattily where Argento had broken ground. Aenigma is fairly much a copy of Argentos Suspiria (1977) a near plotless film about a series of outlandish novelty deaths occurring in a girls boarding school. Fulci borrows the same set-up here and as rationalisation, this has been bizarrely married to the premise of Richard Franklins Patrick (1978) about a coma patient who psychically reaches out to exact revenge from a hospital bed. (Patrick is a film that seems to have had a following in Italy, which also produced Patrick Still Lives (1980), an unauthorised sequel).
Fulci serves up a variety of novelty deaths. Some of these stand out one where Kathi Wise wakes up to find her body covered with dozens of snails; a head abruptly being severed by a falling window sash. Other effects do not a rather silly one where the macho phys ed teacher Riccardo Acerbi is attacked by his own doppelganger stepped out of as mirror. And there are those that sit somewhere between the two Jennifer Naud encountering a classical painting that rains blood down on her and where the editing team valiantly attempt to make it look like she is being strangled by a statue. For the most part, Fulcis work feels utterly by the numbers.
The only recognisable face present is the imported marquee name of Jared Martin, who was briefly known as the lead in the short-lived sf tv series The Fantastic Journey (1977) and then became a regular on Dallas (1978-91). The film was shot in Yugoslavia and most of the rest of the cast have been recruited from among the locals. There is all the typical cheap dubbing of video-era imports from the period. In particular, the dialogue of breathy passion in the make-out session that opens the film is guaranteed to have you in hysterics.
Lucio Fulcis other films are: Perversion Story (1969), Lizard in a Womans Skin (1971), Dont Torture the Duckling (1972), Dracula in the Provinces (1975), The Psychic (1977), Zombie Flesh Eaters (1979), City of the Living Dead/Gates of Hell (1980), The Beyond/The Seven Doors to Death (1981), The Black Cat (1981), The House By the Cemetery (1981), The New York Ripper (1981), Manhattan Baby/Eye of the Evil Dead/The Possessed (1982), Conquest (1983), Rome 2072 A.D. (1983), Murderock (1984), The Devils Honey/Dangerous Obsession (1986), Touch of Death/When Alice Broke the Mirror (1988), Zombi 3 (1988), Demonia (1990), Nightmare Concert (1990), Voices from Beyond (1991) and Door to Silence (1992).