The Science Fiction, Horror and Fantasy Film Review
Reviews
All Titles
· A – B · C – D
· E – F · G – H
· I – K · L – M
· N – O · P – R
· S – T · U – Z
Sections
Science-Fiction
· A – D · E – K
· L – Q · R – Z
Horror
· A – D · E – K
· L – Q · R – Z
Fantasy
· A – D · E – K
· L – Q · R – Z
New
· Most Recent Additions
Annual Best and Worst
· 2011 · 2010
· 2009 · 2008
· 2007 · 2006
· 2005 · 2004
· 2003 · 2002
· 2001 · 2000
· 1999 · 1998
· 1997 · 1996
· 1995 · 1994
Contact
· Contact This Site
Link to This Page With



    AMBITION
    Rating

     
    USA. 1991.
    Director – Scott D. Goldstein, Screenplay – Lou Diamond Phillips, Producer – Richard E. Johnson, Photography – Jeffrey Jur, Music – Leonard Rosenman, Production Design – Marek Dobrowolski. Production Company – Spirit.
    Cast:
    Lou Diamond Phillips (Mitchell Osgood), Clancy Brown (Albert Merrick), Haing S. Ngor (Tatay Aranya), Cecilia Peck (Julia), Willard Pugh (Freddie), Richard Bradford (Peter Jordan), Grace Zabriskie (Mrs Merrick)
     

     
    Plot: Bookstore owner Mitchell Osgood is a would-be writer of frustrated ambitions. He becomes fascinated with The Valentine’s Day Killer, Albert Merrick, who is about be paroled. He offers to write Merrick’s story but Merrick declines. So instead he offers Merrick a job in his store and befriends him. But this is really a ruse and Mitchell then substitutes the pills that control Merrick’s behaviour for baking powder with the intent of sending Merrick off the deep end again and then writing a book about it.
     

     
    Ambition is a halfway interesting film. Written by its star Lou Diamond Phillips, it promises to be a study in unhealthy relationships and pathological obsessions. Alas it never quite gets as interesting as it feels it should. Phillips winds the plot up toward the end but director Goldstein never really gets in there with him and gives the film the necessary obsessiveness. Part of the problem is Phillips himself in the lead role who gives too cocksure and too bland a performance – one never sees the Machiavellian intent inside him, he’s just another former teen star who hasn’t quite gotten beyond the fact that he doesn’t have a fan following anymore. There is a far better performance from Clancy Brown who does a fine job in suggesting the honest, slow-witted killer trying to keep control on his feelings and do the decent thing. But the film rarely amounts to much.
     

    Copyright Richard Scheib 1999-2012