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BLOOD ORGY OF THE SHE-DEVILS
Rating: 
USA. 1972.
Director/Screenplay/Producer – Ted V. Mikels, Photography – Anthony Salinas, Electronic Music – Carl Zittrer, Special Effects – Lee James, Makeup – Sherri Vernon. Production Company – Occult Productions.
Cast:
Lila Zaborin (Mara), Victor Izay (Dr Helsford), Tom Pace (Mark), Leslie MacRae (Lorraine), Ray Myles (Rodannus), William Bagdad (Toruke), Kebrine Kincade (Sharon), Paul Wilmoth (Barth)
Plot: Lorraine joins the coven of the witch Mara. Mara conducts ceremonies where she incarnates various spirits through herself and shows her acolytes their past lives where they were tortured and burned as witches. Mara then accepts payment from Rodannus to use black magic to assassinate an ambassador. Afterwards Rodannus has Mara eliminated, however she is able to return to life and claim vengeance. Lorraine’s boyfriend Mark is sceptical about what she has become involved with. After being persuaded of the reality of Mara’s abilities, he goes to his university professor Dr Helsford who determines that Mara’s evil must be stopped.
Ted V. Mikels is a director with a certain notoriety in Psychotronic movie circles. His is a name often mentioned in the same breath as other Z movie directors like Herschell Gordon Lewis, Andy Milligan and Al Adamson. Mikels has been responsible for films such as The Astro Zombies (1969), the notorious The Corpse Grinders (1971) and The Doll Squad (1973), which Mikels claims was ripped off as the basis of Charlie’s Angels (1976-81). Mikels himself sounds a fascinatingly bizarre figure – he lives in a castle in California and reportedly keeps a harem of ten women.
Blood Orgy of the She-Devils is often spoken of by those in the know as the best, or at least the most professionally polished, of Mikels’ films. Mikels was clearly influenced by the then recent success of Rosemary’s Baby (1968) and the whole fascination with matters occult that came out of The Age of Aquarius. The film though is rather poor and more to the point dull. There is no real plot. Mikels certainly sets up some interesting dramatic possibilities at the start with witch Lila Zaborin being contacted by someone wanting her to magically assassinate a diplomat. This is an idea that seems full of possibilities but all that Mikels does is get the assassination is routinely out of the way, then has the client turn on Zaborin and she take revenge on him, whereupon this whole subplot is over and done with only a third of the way into the film. The rest of the film consists either of Victor Izay’s professor sitting around lecturing or flashbacks to the acolytes past lives as witches to illuminate various points about witchcraft. Here Mikels seems to be wanting to conduct a dramatized documentary to show us how much research he has done on occultism and historical witchcraft. Eventually the professor and several colleagues come together to tackle Mara, focusing some flashing lights at the castle – but this is a climax that has been contrived with little in the way of any dramatic interest upon Mikels’ part.
Mikels should at least get full marks for coming up with one of the most entertaining and eye-catchingly lurid exploitation titles ever conceived. Alas it is a title that on almost every single count proves to be false advertising. When it comes to the ‘blood’, Mikels’ camera shies away at any depiction of gore; and in terms of the promised ‘orgy’ the film remains woefully chaste, getting no more sordid than the image of a group of women dancing in diaphanous purple lingerie. The scenes with Lila Zaborin channelling her spirit guides and then starting to speak in the voice of her guide using cod-American Indian phraseology – squaws, papooses, tepees, “big shiny birds” – proves unintentionally funny.
Copyright Richard Scheib 1999-2012
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