BLOODY PIT OF HORROR
THE CRIMSON EXECUTIONER
(Il Boia Scarlatto)
In reality, Bloody Pit of Horror is more of an Italian giallo film. It was made one year after Mario Bava had made the classic Blood and Black Lace (1964). It taps into the same continental Gothic backdrop that Mario Bava patented and adds to this a psycho plot that became all in fashion after the success of Psycho (1960) a few years earlier and which the giallo film was happily mining. Of course, the major difference is that director Massimo Pupillo is flatly prosaic and has none of Mario Bavas style. It could also be seen as a darkly satiric answer to the peplum film that was popular in Italy at the time a series of muscleman films that began with Hercules (1958) and which Italy was churning out by the boatload where here the muscleman is a psycho, a deification of male beefcake who rants about worshipping the perfect male body. This suggests the intriguing idea of a version of Psycho, which had psycho-sexual undertones where Norman Bates was aroused to murder at the sight of a naked female body, having been given a homo-erotic spin.
Clearly, the film was making an appeal for what was a sensationalism back in the day. That said, the scenes with the various models wandering around in their bras and with their bare backs to the camera seems absurdly tame today. Massimo Pupillo does find some imagination among the sensationalism. Especially good is a scene where Walter Brandt finds Moa Tahi imprisoned inside a room that has been turned into a giant lattice of spider webs stretched between all the walls and with a mechanical spider crawling along it towards her and where Brandt must slide under the ropes on his back to get to her before she is killed. Or the image of Ralph Zucker shot with an arrow collapsed over the wheel of his car, driving in an endless circle around the driveway of the castle.
The film gets particularly entertaining when it comes to the climactic scenes with Mickey Hargitay imprisoning everybody in the dungeons. The set-ups include:- one girl bound on a rotating device where Hargitay pushes knives at her that knick and tear her clothing to shreds with each revolution; another stretched on a rack; another with icy water being poured on her back; one of the guys imprisoned on a four-poster bed where the top is wound down towards him like a vice on giant corkscrew posts; hot oil poured on a girls back; Louise Barrett tied to a stone table and a coal fire stoked underneath it. The silliest of these is when Mickey Hargitay tries to attack one of the girls using something that resembles a hanging scarecrow that has spikes in it only to end up being impaled on it himself. It is in this lurid sensationalism that Bloody Pit of Horror finds itself.
Massimo Pupillo only made a handful of films, including two other horror works with the Gothic horror Terror-Creatures from the Grave (1965) and the less well known Lady Morgans Vengeance (1965), as well as one of the original Django Spaghetti Westerns Django Kills Softly (1967).
Mickey Hargitay was a Hungarian national who gained international attention as a bodybuilder. He is most remembered as being the husband of Jayne Mansfield (although they had divorced by the time of her death in 1967). These days, he is also known as the father of Mariska Hargitay from tvs Law and Order (1990-2010). Hargitay made about a dozen acting appearances during the 1960s and into the early 70s, including two peplum with The Love of Hercules (1960), where he appeared as Hercules opposite Jayne Mansfield, and Revenge of the Gladiators (1964), as well as playing a detective in Lady Frankenstein (1971).
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