BRIDE OF RE-ANIMATOR
Bride of Re-Animator lacks the outrageous sense of black humour that inspired the first film. On the other hand, the relatively more serious treatment occasionally works for it the Herbert/Dan relationship is better characterised with Jeffrey Combs having some well-written soliloquies trying to convince Bruce Abbott of the worthwhileness of the experiments. However, the film is more effective in individual parts than it is as a whole.
The plot leans far too heavily on Frankenstein Wests experiments now copy those of Dr Frankensteins work with patchwork creations far more than they did in the first film, although to no apparent purpose. The influence is obvious in the titles desire to echo Bride of Frankenstein (1935), while the film builds to a climax that is an amusingly elaborate reworking of Bride of Frankenstein. The plot is often obvious Fabiana Udenio carries a poodle around with her for no other reason than for it to later be reanimated. The subplot about Herberts penchant for animating mismatched limbs serves more to highlight makeup artist Screaming Mad Georges predilection for Dali-esque arrangements of body parts than it does any actual plot point. The plots one moment of inspiration is the shaggy dog story it tells when Claude Earl Jones takes Fabiana Udenio up to the psych ward it has all the elements of a pure campfire tale and its punchline is a corker.
What makes Bride of Re-Animator above routine are the amazing makeup effects eyeballs attached to fingers, an arm and leg combination, the brides dissected body shown in amazing anatomical detail, including at one point Jeffrey Combs delving in and pulling the tendons like puppet strings to make the wrist work. The other thing that lifts Bride of Re-Animator above the routine is the intense and very weird return performance from Jeffrey Combs. Bruce Abbott again holds the fort with solidly handsome regard it is a major mystery why Abbott never went on to greater leading parts and why he appears to have hardly done any other acting in between this and the original.
Brian Yuzna and Jeffrey Combs later returned for a third film Beyond Re-Animator (2003). For much of the 00s, original director Stuart Gordon has promised a further sequel with House of Re-Animator.
Brian Yuzna has subsequently gone onto direct a number of other horror films: Silent Night, Deadly Night 4: The Initiation (1990), Necronomicon (1993), Return of the Living Dead III (1993), The Dentist (1996), The Dentist 2 (1998), The Progeny (1999), Faust: Love of the Damned (2000), Rottweiler (2004), Beneath Still Waters (2005) and Amphibious 3-D (2010). Yuzna has also produced a number of genre films including various Stuart Gordon such as From Beyond (1986), Dolls (1987) and Dagon (2001), as well as Honey, I Shrunk the Kids (1989), Infested (1993), the manga adaptation Crying Freeman (1995), Arachnid (2001), Darkness (2002), Romasanta: The Werewolf Hunt (2004), The Nun (2005) and Takut: The Faces of Fear (2008).