The Darkness was Greg McLeans first venture into the US. The film is a co-production with Jason Blums near ubiquitous Blumhouse production company and has been shot in California using a predominantly American cast. The film floated around for the last couple of years under the far more interesting title of 6 Miranda Drive but was renamed The Darkness not long before release. The choice of such a bland and generic title for a horror film does not exactly presage well. Indeed, it joins several other identically titled films see also the vampire film Darkness (1993) and Jaume Balagueros Darkness (2002).
The Darkness is also Greg McLeans first venture into supernatural horror. Unfortunately, while one high hopes for his treatment of the themes, they quickly disappear into something as anonymous as the films title. The haunted house and ghost story has become something rapidly overused by low-budget films in recent years. Even though the cause detre in The Darkness is not a haunting, it very much follows the pattern of these films. In fact, you could say that everything we have here has been played out in Blumhouses Paranormal Activity films the only difference here is that there is no Found Footage effect. For that matter, everything that happens in The Darkness is strongly dependent on the plot of Poltergeist (1982) the nuclear family in a suburban house that is experiencing mysterious phenomena; the child with the unnatural connection to the supernatural, which is at first taken to be merely an imaginary companion; the arrival of the exorcists; an explanation derived from Native American spirits; the portal manifesting through the wall and the parents eventual journey into the portal to have to rescue back the child.
I had high expectations of The Darkness because Greg McLean has impressed with everything else that he has done. It is this that eventually made the film even more disappointing. My hope was as it started in was that McLean would do something that would turn the ghost story on its head and deliver a gruellingly intense ride in much the same way that Rogue, his best film so far, turned the Animals Amok genre into an incredibly harrowing work. The great disappointment is that you reach the end of The Darkness feeling that there is not a single thing that McLean did that raises ones pulse in the slightest or is in the slightest bit memorable.
Jason Blum has also produced a number of other genre films including:- Hamlet (2000), Paranormal Activity (2007) and sequels, Insidious (2010) and sequels, Tooth Fairy (2010), The Bay (2012), The Lords of Salem (2012), The River (tv series, 2012), Sinister (2012) and sequel, Dark Skies (2013), Oculus (2013), The Purge (2013) and sequel, the tv mini-series Ascension (2014), Creep (2014), Jessabelle (2014), Mercy (2014), Mockingbird (2014), Not Safe for Work (2014), Ouija (2014) and sequel, 13 Sins (2014), The Town That Dreaded Sundown (2014), Unfriended/Cybernatural (2014), Area 51 (2015), The Boy Next Door (2015), Curve (2015), The Gallows (2015), The Gift (2015), Jem and the Holograms (2015), The Lazarus Effect (2015), Martyrs (2015), Visions (2015), The Visit (2015), Hush (2016), Incarnate (2016), The Veil (2016), Viral (2016), Amityville: The Reawakening (2017), Get Out (2017), Split (2017) and Stephanie (2017).