DEATH NOTE: THE LAST NAME
(Desu Noto: The Last Name)
I saw both Death Note and Death Note: The Last Name together on a double bill at the Wellington International Film Festival. This is the best possible way to view the two films as they work far better when seen not as original and sequel but as two parts of one larger story perhaps akin to the way that The Lord of the Rings (1954-6) was originally one large work that was split into three books for the sake of publishing ease. Indeed, Death Note can almost be seen to act as an introduction that sets up the wild plot contortions of Death Note: The Last Name.
If Death Note set up the basic concept and introduced the battle of wits between Light Yagami and L, then Death Note: The Last Name could almost be considered in regard to Death Note the same way that The Empire Strikes Back (1980) exists in regard to Star Wars (1977) a work that expands the basic elements of the first film out onto a bigger stage and refines and explores the character conflicts with much greater depth than the original. The buttress of Death Note: The Last Name is the battle of wits that started in Death Note, which has blossomed to take up the whole of the story here. The film has the benefit of a script that is filled with a labyrinth of twists and turns and devious games as Light and L, who are akin to a perfectly paired Sherlock Holmes and Professor Moriarty duo, try and outsmart and trap one another. The results are sublimely hilarious.
Death Note: The Last Names spins on the original include moving Light into Ls inner sanctum to become one of his elite force tracking down Kira there is an hilarious scene at the funeral near the start where Tatsuya Fujiwara swears to track down Kira and bring him to justice, only for the invisible Ryuk to whisper in the ear a reminder that this will mean tracking himself down. The other spin that Death Note: The Last Name offers is the introduction of a female equivalent of Kira in Erika Todas Misa who promptly becomes his devoted worshipper-come-stalker, insisting that she wants to be his girlfriend. She is also accompanied by her own death god in the form of the white-and-blue Rem.
Kenichi Matsuyamas performance as L has become even weirder and funnier than it was in Death Note (to such extent that the filmmakers created a separate L project L: Change the World (2008), following the events in the Death Note series). Equally Tatsuya Fujiwara seems an even more handsome lead than before.
The series was continued with Death Note (2015), an eleven-episode tv mini-series remake of the manga; a further film Death Note: Light Up the New World (2016); and the English-language remake Death Note (2017).
(Nominee for Best Supporting Actor (Kenichi Matsumaya) at this sites Best of 2006 Awards).