GUILTY AS CHARGED
Guilty as Charged sits halfway between being a gonzo black comedy and a parody of the vigilante movie a la Death Wish (1974). However, Sam Irvin never quite sorts out the tone he wants to take and as a result Guilty as Charged emerges seeming like a frenetic farce that wants to be a black comedy but doesnt seem to know how. There is the odd moment that works like it should like where one man is taken away to be executed, but the power fails, leaving him half-charred and he sees this as God giving him the opportunity to repent but most of the scenes where you think the film should have been funny only seem clumsy. Other times, Sam Irvin almost seems to want to almost play the film as a superhero movie sans cape like the absurd image of 66 year-old Rod Steiger leaping through a second-story apartment window and being asked Who the fuck are you? and snarling back Im justice. The film has clearly been made on a low budget. The sets have all been lit in such a way that they look very artificial although it is hard to tell whether this is intentional or deliberate.
The film becomes entertainingly contorted in the last 20 minutes as the script winds the various parties together as Rod Steiger prepares to execute the innocent Michael Beach for the crimes that Lyman Wards senator did. Despite Irvin engaging us in Heather Grahams race to save the innocent Michael Beachs life this is all dismissed in a twist revelation [PLOT SPOILERS] that reveals that Rod Steiger knew Lyman Ward was guilty all along and set everything up to trap him. It is an ending that seems a blatant last minute cheat on our sympathies, not to mention decidedly contrived in terms of plot mechanics. All of which adds to the films disappointment.
Guilty as Charged is a film that wants to treat the death penalty and vigilantism as a black comedy but never finds anything to say about either you cannot even work out whether it is for or against the death penalty. In one of the more improbable scenes, Heather Grahams innocent is introduced to Rod Steigers private execution scheme and doesnt even bat an eyelid or make the slightest comment. Imagine an average law-abiding citizen being given a guided tour of a private electric chair and execution scheme that someone has built in their basement where a natural reaction would probably be horror, outrage, disgust, perhaps even enormous enthusiasm for the idea, but hardly just calm acceptance of it as something perfectly everyday.
Certainly, Sam Irvin has managed to bring on board an interesting cast. There is the once great Rod Steiger who in the last two decades of his life spent his time throwing his career away, badly overacting in some trashy roles see the genre likes of The Kindred (1986), American Gothic (1987), Modern Vampires (1998) and End of Days (1999) for a casual sample. There is also Heather Graham, who was snatched up immediately after her appearance in tvs Twin Peaks (1990-1). It was still a couple of years before Graham made it big in Boogie Nights (1997) and a time when she still seemed like the essence of wholesome Girl Next Door innocence. There is also Isaac Hayes as Rod Steigers crazed Bible-waving assistant; Lauren Hutton who gets into her role as Lyman Wards embittered wife with relish; and a then unknown Mitch Pileggi from tvs The X Files (1993-2002, 2016 ) as one of the prisoners.