I SAW THE DEVIL
I had no idea what to expect before sitting down to watch I Saw the Devil. The title suggested a Korean occult horror film whereas what transpires is mundane and without any fantastic elements. I Saw the Devil perhaps comes the closest to the ultra-violent revenge drama of fellow Korean Park Chan-wooks Oldboy (2003). What we have seems in the mould of Death Wish (1974) wherein a hero goes on the personal vengeance trail determined to exterminate the serial killer who killed their loved one(s). The spin that I Saw the Devil places on this is to make the pursuing detective employ increasingly more brutal and extreme methods to enact vengeance with the two eventually engaging in a series of games with one another.
I ended up being disappointed with I Saw the Devil, especially in regard to its build-up and the fact that it was granted a widespread release. Given the scarcity of such releases afforded to foreign-language films, this made one expect something amazing. The action is surprisingly slow moving and the film only becomes interesting in the passages when it explodes out into violence. It never seems to operate on anything more than a level of seeing two men beating one another up. Even then, Kim Jee-woong does surprisingly little to take us inside the darkness of his heros drive. There is little ingenuity to what is going on, little in the way of twists that take your breath away, nothing that keys in on a psychological level. You can see exactly where the film is going, how it is leading up to the climactic scenes where Min-sik Choi is going to target Byung-hun Lees in-laws even then, surprisingly little tension is drawn out of this and they are killed off fairly quickly. Subsequently, the excellent Bollywood film Raman Raghav 2.0 (2016) does a far better job in depicting the same relationship between serial killer and pursuing detective.
Equally, the high degree of violence that I Saw the Devil gained a notoriety for is tame in actuality, especially compared to the stomach-churning extremes that Oldboy and other recent South Korean films have taken everything to. There is one blackly amusing moment where Moon-seong Choi is stabbed and his hand impaled to a table with a knife and he tries to pull it out with his other hand, only for the handle to come off. There are various beatings and the like but nothing that shocks you in your seat. Finally, at the climax, the film traverses into the territory that seems to promise this with Byung-hun Lee stabbing Min-sik Choi through the cheek with a screwdriver and creating a set-up that will decapitate him when his family open a barn door.
There is Min-sik Choi, the vengeance-driven hero of Oldboy, who gives a performance at 180 degrees remove here. His character is intended as surly and crude and he comes across as not always the most intelligent serial killer in the world. The problem with this is that Min-sik Choi does not exactly make for an interesting nemesis neither someone you can loathe or feel sympathy for or admire their fiendish brilliance. For much of the film, Min-sik Choi is cast in a passive role as the subject of the brutalities that Byung-hun Lee inflicts on him and the film becomes about his being released, trying to rape and kill again, being attacked and so on over again. I Saw the Devil is a film that you feel would benefit from an English-language remake where you would be able to join the heros descent into darkness and the serial killer would surely be made into someone much more intellectually adept in the games they play with the hero.