JAWS: THE REVENGE
JAWS IV; JAWS 87
Jaws: The Revenge is regarded by most as the worst of the series, although that is a distinction that surely belongs to the incredibly dull Jaws 3-D. Certainly Jaws: The Revenge is at least an improvement over that, which isnt saying much. (When you think about it in some ways these cheaply effective pop-up shocks and the sharks eye point-of-view camera-work would have made this a far better 3-D film). Sargent manages one or two good chomping scenes the suspenseful attack on the banana boat, and a surprise scene where the shark leaps out of the water and snatches Mario Van Peebles from a mast. And he is aided by a realistic mechanical shark and beautiful above and below water photography on location in the Bahamas.
But the melodrama back on dry land is strictly a bore. The film was promoted with the intriguing advertising byline This time its personal, which makes for an interesting idea as to the shark species unnatural predilection for the Brody family throughout the series, but the film never takes any steps toward explaining or developing this notion. The ending takes leave of any kind of credibility at all in having both Michael Caine and Mario Van Peebles escape from the sharks mouth totally unharmed.
Mostly though the Spielberg original is pillaged like a beached whale with its belly open to waiting seagulls Lorraine Gary has flashbacks to scenes where she wasnt even present; Joseph Sargent recreates the child-imitating-father scene from the original shot for shot; theres a climax at sea chasing the shark in a boat that even looks identical to The Orca; and Michael Small goes at John Williamss der-dum-der-dum score as though he is personally determined to make sure every member of the audience knows it off by heart.