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    J.D.’S REVENGE
    Rating

     
    USA. 1976.
    Director/Producer – Arthur Marks, Screenplay – Jaison Starkes, Photography – Harry May, Music – Robert Prince, Special Effects – Roy Downey. Production Company – AIP.
    Cast:
    Glynn Turman (Isaac ‘Ike’ Hendrix), Lou Gossett (Reverend Elija Bliss), Joan Pringle (Christella Davenport), Fred Pinkard (Theolis Bliss), Alice Jubert (Roberta Bliss/Betty Jo Walker), David McKnight (J.D. Walker), James Louis Watkins (Carl), Carl Crudup (Tony), Barbara Tasker (Sheryl)
     

     
    Plot: After volunteering during a stage hypnotist’s show, Black law student Ike Hendrix becomes possessed by the spirit of J.D. Walker, a petty hood who was shot in 1942. Possessed by J.D., Ike forces himself on women and wields a mean razor, all the while seeking revenge against Elija Bliss, the man who seduced his sister and is now a prominent preacher.
     

     
    J.D.'s Revenge was an entry in the 1970s trend of Blaxploitation films – a nickname given to films featuring Black heroes that began after the hit success of Shaft (1971). Blacula (1972) that gave Blaxploitation cinema a unique genre spin, resulting in a series of Afrod, jive-talkin’ monster movies that included the likes of Blackenstein (1973), Ganja and Hess (1973), Abby (1974), Sugar Hill (1974) and Dr Black and Mr Hyde (1976).

    Many of these films have an entertaining B movie vigour and psychotronic appeal, but J.D.'s Revenge is only a routine variant on The Exorcist (1973). It is slow and dull – right from the outset, one can see what is going to happen and the film takes half its running time to allow its characters to catch up with the audience. The ending muddies its morals by revealing J.D. to be less a badass disembodied spirit than a justly aggrieved soul who has come back to avenge his murder. The film’s one interesting spin is in making J.D.’s nemesis a holy-rolling Gospel preacher, played by later-to-be Best Supporting Actor Oscar winner Lou Gossett Jr. Glynn Turman gives a mean-minded performance as J.D. – the film has an unpleasant number of protracted scenes of women being taken by force. It does have the amusing moment where a doctor advises Glynn Turman: “Take it easy, man – smoke some weed.” Director Arthur Marks shot on location in New Orleans, which lends its legendary vibrant carnality and adds much to the film.
     


    Copyright Richard Scheib 1999-2012