Lake Placid is directed by Steve Miner. Steve Miner is a B-budget horror veteran from the 1980s. Miner started out as assistant producer on Friday the 13th (1980) and graduated to director with films like Friday the 13th Part 2 (1981), Friday the 13th Part III in 3D (1982), House (1986) and Warlock (1989). It was not until the wittily clever Warlock that Steve Miner showed promise of being anything other than a low-budget hack. Thereafter Miner graduated to, if not exactly A-budget films, then at least B+ films like Wild Hearts Cant Be Broken (1991), Forever Young (1992), Halloween H20: Twenty Years Later (1998), Texas Rangers (2001) and the remake of Day of the Dead (2008), although has yet to make anything other than Warlock that has seemed more than average.
Once Lake Placid gets past the far-too-cute business of Bridget Fondas neurotic cosmopolitan sparring with the locals in acerbic smartass one-liners, it settles down to a passable monster movie. The photography of the lake area is very good and Steve Miner crafts the suspense with reasonable competence. Stan Winston turns in some fine creature effects in scenes with the crocodile devouring bears and cattle whole. The crocodile is left only briefly glimpsed so as to heighten the effect.
On the minus side, Lake Placid never amounts to much. There is only a single scene where the suspense goes from effective to seat-edge a scene with Bridget Fonda being pursued underwater by the crocodile with only a pole protecting it from closing its jaws around her. In terms of the formula of the monster movie, Lake Placid also feels unsatisfying the climax is underwhelming, it lacks any all-out face-off between man and monster and instead fades out on an ecologically-friendly scene of the crocodile being taken off to a zoo instead of being killed. The romantic interest between Bill Pullman and Bridget Fonda is also left unrequited until a last scene flirtation. David E. Kelleys script often seems uneasily caught between a mockingly self-aware tone and B-movie psychology. If he had not tried to make Lake Placid a character-driven film some of the hokier elements Betty White as an eccentric housewife who feeds cattle to the crocodile and particularly Oliver Platt as an eccentric millionaire who wants to swim with the crocodiles because of the highly disputable notion that historically crocodiles have been worshipped more than Jesus Christ would have felt a good deal more at home.
The cast generally hold up well. Bill Pullman gives another of his likeable good-natured performances but the film underuses him. One has never liked Bridget Fonda as an actress there are few actresses who play so humourlessly, she radiates a hostility that is capable of making Shannen Doherty seem warm-blooded by comparison. Irish actor Brendan Gleeson, cast as the hick sheriff, is very good whenever he is on screen.
There were four sequels with Lake Placid 2 (2007), Lake Placid 3 (2010), Lake Placid: The Final Chapter (2012) and Lake Placid vs Anaconda (2015).
David E. Kelleys only other film of genre interest is the script for New Age ghost story To Gillian on Her 37th Birthday (1996), while on television he was also responsible for an unsold tv pilot for Wonder Woman (2011) and the Stephen King tv series adaptation Mr. Mercedes (2017 ).