THE LOVED ONES
It felt odd trying to pigeonhole where The Loved Ones was going during the initial scenes. In some ways, the film is confusing the word of mouth leads you to expect a horror film but the opening scenes seem more like a nowhere town slice of life drama. Eventually what we end up with seems like a Backwoods Brutality film such as The Texas Chain Saw Massacre (1974), or at least one of the Australian copycats of that like Wolf Creek (2005) and Storm Warning (2007), feeling like it has been crossbred with the Australian Suburban Mayhem (2006) and its central character of a young girl who is a tyrannical force of nature in her determination.
You might compare The Loved Ones to an American film like Rivers Edge (1986). Although they fall into very different genres, the central characters are not too different. While Rivers Edge believed that this world was heading towards a bleak social apocalypse, The Loved Ones remains cheerful in its uniquely Down Under way about the characters and their nowhere lives. The improbable attraction between Jessica McNamee and nerdishly pudgy Richard Wilson is a B plot that takes up a reasonable amount of screen time while never seeming to add to the main horror plot. Here you get the impression that Sean Byrne has a genuine affection for the characters he has created especially Jessica McNamees cynical Goth who moves through the film, owning the screen in her every appearance and spilling over with attitude to spare.
When he eventually finds his way there, Sean Byrne handles the horror element well Xavier Samuels feet being nailed to the floor in a grisly display of gore; the offhand moment where Robin McLeavy opens the cellar door and throws scraps of food down and figures there scurry to eat them; or her father (John Brumpton) drilling a hole in the centre of Xavier Samuels forehead with a power drill and she preparing to pour boiling water in to turn him into a zombie (although I kept having my doubts as to whether having a hole drilled in the middle of his forehead would leave Samuel capable of getting up and walking, let alone driving a car, both of which he proceeds to do shortly afterwards).
When she gets the chance to open up and dominate the show, Robin McLeavy does amazing things. What makes her performance so startling is the way that she is dealing with material that often has a blackly funny undertow in the writing, yet plays it with a bright sparkly cheer. There is that chill scene where Xavier Samuel, bound at the dinner table, says he wants to go to the bathroom, whereupon she empties a glass, unzips him and holds his dick out while cheerfully smiling up at him Youve got ten seconds to go or Daddys going to nail it to the chair. The only complaint might be that the character we first meet someone who is played as a nerdish wallflower is completely contrary to the assertive and sexually aware character that we see once Xavier Samuel is imprisoned. Both Robin McLeavy and Jessica McNamee are incredible finds and I am most interested in keeping track of their careers after this point.
Director Sean Byrne subsequently went on to make the US horror film The Devils Candy (2015).
(Nominee for Best Actress (Robin McLeavy) and Best Supporting Actress (Jessica McNamee) at this sites Best of 2009 Awards).