PETALS ON THE WIND
I really hated the glossily banal treatment of the book that Lifetime gave Flowers in the Attic. Not too surprisingly, little has changed when it comes to Petals on the Wind. This film has a better new director in Karen Moncrieff who had previously made the fine The Dead Girl (2006) about the lives of the women affected by a serial killer. Also, young New Zealand actress Rose McIver she played the younger sister in The Lovely Bones (2009) makes for a good and convincing grown-up Cathy, while both Heather Graham and Ellen Burstyn give much better performances in the same roles they played in the last film. The best performance though comes from Will Kemp who gives the role of Cathys boyfriend both a charm and danger.
The film however suffers from the stultifying blandness of the Lifetime movie approach that crippled Flowers in the Attic. The events of the book are spread across several years but watching the film they seem to take place within a matter of months. The film also dumps the first fifteen or so chapters, nearly half the book, in which Cathy engages in an affair and becomes pregnant to their benefactor Dr Paul Sheffield before having a miscarriage. Where the book has Sheffield stay alive until nearly the end, the opening scene of the film is his funeral.
Unlike Flowers in the Attic, Petals on the Wind is not really a horror film there is no imprisonment in the attic of a big Gothic mansion, rather it is just the characters reacting to the events of the first film and it is not until the last quarter that this film becomes a revenge tale about Cathy getting comeuppance against her mother. And without any psycho-thriller plotting, all that we have is no more than the trashy melodramas and plot contortions that we get in daytime soap operas. The film indulges the absurd melodrama of V.C. Andrews writing a wannabe diva annoys Will Kemp so he smashes glass and places it in her ballet shoes, which she discovers with an anguished cry of my feet; when Bailey Buntain decides to kill herself, she has to do it by baking a batch of cookies and lacing them with rat poison, just like their mother did.
What you do commend the film for is that it does hold some twisted turns it is after all a film about brother and sister lovers who hold onto their feelings for one another despite the distaste and horror with which the society around them reacts to their relationship. The film goes out on a glowing happy epilogue, the sort you usually get in romantic films, where the two have settled down together and we are now asked to regard their relationship as perfectly normal. Even aside from that, the film has whacked plotting where part of Rose McIvers efforts to take revenge on her mother involving seducing the mothers new husband and then getting pregnant to him.