The Science Fiction, Horror and Fantasy Film Review
Reviews
All Titles
· A – B · C – D
· E – F · G – H
· I – K · L – M
· N – O · P – R
· S – T · U – Z
Sections
Science-Fiction
· A – D · E – K
· L – Q · R – Z
Horror
· A – D · E – K
· L – Q · R – Z
Fantasy
· A – D · E – K
· L – Q · R – Z
New
· Most Recent Additions
Annual Best and Worst
· 2011 · 2010
· 2009 · 2008
· 2007 · 2006
· 2005 · 2004
· 2003 · 2002
· 2001 · 2000
· 1999 · 1998
· 1997 · 1996
· 1995 · 1994
Contact
· Contact This Site
Link to This Page With



    THE PHANTOM OF THE RUE MORGUE
    Rating

     
    USA. 1954.
    Director – Roy Del Ruth, Screenplay – Harold Medford & James R. Webb, Based on the Short Story The Murders in the Rue Morgue by Edgar Allan Poe, Producer – Henry Blanke, Photography (3-D) – J. Peverell Marley, Music – David Buttolph, Ape – Charles Gemora, Art Direction – Bertram Tuttle. Production Company – Warner Bros.
    Cast:
    Karl Malden (Dr Marais), Steve Forrest (Professor Paul Dupin), Claude Dauphin (Inspector Bonnard), Patricia Medina (Jeanette Rovere), Allyn McLerie (Yvonne), Veola Vonn (Arlette), Dolores Donn (Camille), Anthony Caruso (Jacques), Merv Griffin (Georges Brevert), Charles Gemora (Gorilla)
     

     
    Plot: Turn of the century Paris. The gendarmerie are baffled by a series of murders wherein women are found in locked apartments, having been killed by someone of ferocious strength. Psychology professor Paul Dupin is blamed for the killings. To clear his name he aids the police in tracking down the real killer. This proves to be the crazed zookeeper Dr Marais, who has trained a gorilla to kill by locating the sounds of the belled bracelets he sends to his victims, all women that have rejected his advances.
     

     
    Warner Brothers had had massive success with House of Wax (1953), which remade in 3D the classic 1930s horror film Mystery of the Wax Museum (1933). Warner Brothers then tried to duplicate the same success with this, which likewise remade another 1930s horror film, Murders in the Rue Morgue (1932) in 3D. Alas they failed to have the same hit a second time. Phantom is all rather dull. Director Roy Del Ruth shoves various weapons, a snarling ape, even a human body, out into the audience’s face with crude abandon. Charles Gemora, who became famous for playing apes during the era (and indeed also played the ape in the 1932 film), lurks about in a gorilla suit. Characteristic of almost any B movie with an ape, the climax here involves the gorilla abducting the heroine and climbing to the top of a building with her.

    The original 1841 Edgar Allan Poe story concerns itself with the murder of a woman in a locked room, which is discovered to have really been caused by an escaped razor-wielding orang-utan that has been trained by a sailor. (There is no intent of murder upon the sailor’s part in the story). Needless to say, the film elaborates considerably on the story, adding more murders and Karl Malden as a mad Pavlovian zookeeper behind it all. But on the other hand this version is sadly bereft of the gleeful stew of mad scientists and demented hypnotists that pop up in other versions of the story and is only ultimately a pedestrian detective tale. Karl Malden’s customary bludgeoning, pug-nosed overacting is laughably out of place in the role of the mad zookeeper.

    Director Roy Del Ruth was a prolific director of crime dramas and musicals since the silent era. He other genre films include the light fantasy ghost comedy Topper Returns (1941) and the mad scientist cheapie The Alligator People (1959). The film also has a subsequent fascination in its featuring of later-to-be talkshow host and gameshow producing legend Merv Griffin as a medical student who is briefly suspected of the killings.
     


    Copyright Richard Scheib 1999-2012