|
|
|
|
|
|
 |
| Science-Fiction |
|
|
| Horror |
|
|
| Fantasy |
|
|
|
|
|
|
|
|
|
|
|
|
|
ROLLERCOASTER
Rating: 
USA. 1977.
Director – James Goldstone, Screenplay – Richard Levinson & William Link, Story – Richard Levinson, William Link & Stanford Sheldon, Suggested by a Story by Tommy Cook, Producer – Jennings Lang, Photography – David M. Walsh, Music/Sensurround Music Effects – Lalo Schifrin, Production Design – Henry Bumstead. Production Company – Universal.
Cast:
George Segal (Harry Calder), Timothy Bottoms (Young Man), Richard Widmark (Special Agent Thomas Hoyt), Henry Fonda (Simon Davenport), Susan Strasberg (Fran), Helen Hunt (Tracy Calder)
Plot: A bomber is blowing up rollercoaster rides across the country. At a meeting of amusement park owners in Chicago, the bomber has a cassette tape delivered that contains his demands for a million dollars. Harry Calder, an inspector from the California Department of Safety and Standards who investigated one of the bomb sites, crashes the meeting where he tries to convince the owners how clever the bomber is. Upon Harry’s advice, the FBI is called in. But the bomber has been listening in on the meeting via a bug and is so impressed that he delivers another demand – that Harry be used to drop the ransom money at an amusement park in Virginia. There the bomber leads Harry on a cleverly planned trail around the park. But when he discovers that the FBI have secretly marked the bills, the bomber is angered enough to then announce that he is going to blow another ride up. It is up to Harry to outwit and catch the bomber before his deadline.
Rollercoaster was sold amid the 1970s fad for disaster movies that came about after the huge successes of films like Airport (1970), The Poseidon Adventure (1972) and The Towering Inferno (1974). These usually featured an all-star cast and a large man-made monument being threatened by some type of catastrophe. The era managed to pass through most of the man-made edifices it could think of – skyscrapers, ocean liners, trains, planes, and with people and places threatened by earthquake, asteroid, hurricanes, bees and volcanoes. Clearly by the time of Rollercoaster, novelty was getting a little scarce when it came to finding venues – as a disaster movie setting, a rollercoaster seems just a little underwhelming. On the other hand, Rollercoaster isn’t really a disaster movie at all – it is more of a mad bomber psycho-thriller, and as such is quite a decent film.
The film was shot in the Sensurround process created by Universal and used in one previous disaster movie, Earthquake (1974). Sensurround involved placing a series of bass speakers placed around the auditorium, which amplified low frequencies and made the theatres literally seem to shake. Directorially Rollercoaster is not terribly exciting. Certainly seen on the small-screen today and devoid of the up-front Sensurround system, the rollercoaster point-of-view shots lose whatever impact they might have had in a cinematic setting. And the attempts at everyday characterization for hero George Segal are pretty awful (although one can spot a 14 year-old Helen Hunt in her first big screen appearance as his daughter), while the surroundings are very datedly 1970s – people laze about in bell-bottoms and drop the expression ‘cool’ a lot. But once it gets to the central suspense, the film becomes a rather clever battle of wits. The idea of a calmly calculating madman, not at all concerned whether his extortees involve the police or not, in fact using them to his advantage, is a good one. It is the twists and turnings the plot takes, as opposed to James Goldstone’s crude and suspenseless direction, that keep one on a seat-edge throughout.
Copyright Richard Scheib 1999-2012
|