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But without the pyrotechnic stylistics of John Woo, which boosted Hard Target, Surviving the Game has only a rather predictable plot to fall back on. The story is all told in a obvious dramatic line. And the characters are written with almost comical melodrama Ice-Ts hero of the piece is a good man beaten down by circumstances and the film tweaks all the heart-strings it can by killing his dog and best friend off within the first few scenes; even Jeff Coreys fellow bum who lives with bare coherence outside of a bottle gives him little pep talks about if only he could his life together; where elsewhere there are cliche characters like the wet-behind-the-ears kid (later-to-be B action star William McNamara) who feels squeamish about the killing. Unfortunately there is no depth to Surviving the Game beyond these caricatures and weak melodramatic tensions. Although the best scene in the film is one where Gary Busey tells how as a child his father gave him a dog as a pet, showed him how to train it to be a killer and then one day made him fight it to the death with his bare hands. The action moves along passably well. The film assembles a cast to used to playing in action films Rutger Hauer, Gary Busey, Charles S. Dutton, John C. McGinley. The odd man out is F. Murray Abraham who is used to more wholesome dramatic fare than this. Expectedly Gary Busey and John C. McGinley play over the top. Ice-T doesnt play particularly well removed of the surly anger of his rap gangsta roles, he lacks much direction and comes across as wimpy. Surviving the Game was directed by Spike Lees cinematographer Ernest Dickerson. Ernest Dickerson next stayed within the horror genre to go onto the more successful Tales from the Crypt Presents Demon Knight (1995), followed by the sf film Futuresport (1998) and the Blaxploitation horror homage Bones (2001).
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