TALES THAT WITNESS MADNESS
The first episode Mr Tiger is a rewrite of The Veldt segment of the Ray Bradbury anthology The Illustrated Man (1968), albeit with Bradburys science-fiction justification removed. Freddie Francis delivers it with a droll sense of humour. There is a particularly charming final shot to the segment, focused on the boy playing his toy piano as the killings take place off-screen, he unconcerned as welts of blood splatter all over the wall behind him. The second episode Penny Farthing is the best of the stories, an intriguing, cleverly constructed time travel puzzle that continues to circle around the same moment in time, before ending on a fascinating causal paradox. The third segment Mel has the camp value of Joan Collins showing down in one of the grand battles of bitchery she would later base her Hollywood career on up against an animate tree. The image of a backlit tree, half-carved into a female shape is given a certain primal eroticism, but no matter how much imagery that Freddie Francis pumps into it, the block of wood supposedly come to life it is not a particularly expressive or threatening menace. Luau, while holding a strong, taboo-crossing premise, is the weakest of the segments, suffering from some awful campy acting on the part of Kim Novak and some bad dialogue from screenwriter Jennifer Jayne.
Freddie Francis called Tales That Witness Madness his best film. It features his customary sharp and stylish contrasts between fore and background. Despite fine premises, the stories often suffer from the flat-minded literalness that beset many of the lesser Amicus entries. This is particularly so with the last two segments, which fail to hold up to their initial conceptual inventiveness and taboo-daring.
The screenplay was written by actress Jennifer Jayne under the name Jay Fairbank where she adapted several of her own short stories. Jennifer Jayne was a minor British actress whose most notable role was as the sister of the psychic Janet Munro in The Trollenberg Terror/The Crawling Eye (1958). She has appeared in a number of Freddie Franciss films including Dr Terrors House of Horrors (as Donald Sutherlands vampire wife), Hysteria (1965), They Came from Beyond Space (1967) and The Doctor and the Devils (1985). As Jay Fairbank, she also wrote the screenplay for Freddie Franciss flop horror musical Son of Dracula (1974).
Freddie Franciss other genre films are:- Vengeance/The Brain (1962), Paranoiac (1962), Nightmare (1963), Dr Terrors House of Horrors (1964), The Evil of Frankenstein (1964), Hysteria (1965), The Skull (1965), The Psychopath (1966), The Deadly Bees (1967), They Came from Beyond Space (1967), Torture Garden (1967), Dracula Has Risen from the Grave (1968), Mumsy, Nanny, Sonny & Girly (1969), Trog (1970), The Vampire Happening (1971), Tales from the Crypt (1972), Craze (1973), The Creeping Flesh (1973), Legend of the Werewolf (1974), Son of Dracula (1974), The Ghoul (1975), The Doctor and the Devils (1985) and Dark Tower (1987).