Irish director David Keating, who appears to have mostly made documentaries beforehand, does a rather good job. Unlike most contemporary Hollywood horror directors, Keating instinctively gets that effective horror is more about developing mood and drawing us inside a darkness than bombarding us with shock effects. Not that Keating fails to provide shock effects either the opening moments contain a gruesome scene where Aidan Gillen must perform a caesarean section on a cow. In no time, Wake Wood travels into a dark and disturbing space as David Keating takes us through the scenes where Timothy Spall with perfectly calm and ineffectual manneredness lays out the rules of the resurrection and then calmly asks them questions while making calculations on a strange abacus device. This is followed by Aidan Gillen and Eva Birthistle approaching Ruth McCabe at her husbands funeral to ask about using his corpse in the resurrection ceremony and then digging up their daughters coffin in the middle of the night and breaking the fingers of the corpse to get back a personal item for use in the ceremony. The ceremony itself has a compulsively fascinating bizarreness as we first see the dead mans body being carted in on the end of a forklift, which is then used to crush the bodys thorax, followed by Aidan Gillen having to cut open and tear out the spinal column before breaking the jaw to place the personal item in the mouth, after which the body is covered in mud (or maybe even excrement), set alight and then cut open so that the resurrected Ella Connolly can be dragged out.
Of course, after the film has Ella Connolly resurrected, things proceed to get more horrifying. The script cannily keeps the secret that Aidan Gillen and Eva Birthistle are keeping from Timothy Spall and the others to itself, all the time giving us ominous hints of what it might be with scenes of Ruth McCabe saying that she feels something is not right and trying to sneak Ella Connolly away and ask her questions using an abacus. Very effectively, the film then shows the skinned dogs and slaughtered cattle, and then the smiling and innocent Ella Connolly attacking a roomful of old men with tools and impaling a poker through Ruth McCabes head. Here Wake Wood has undeniable similarities to the Stephen King adaptation Pet Semetary (1989) although in ones opinion Wake Wood does a far better job of contrasting the childs innocence with the business of it having returned from the grave with something not right. The film goes out on a particularly chill ending [PLOT SPOILERS] where Aidan Gillen undergoes the ceremony to resurrect Eva Birthistle and takes her home clearly pregnant and, as she showers and appears confused about what has happened, we see he has laid out the clutch and a bunch of surgical tools with the implication that he is planning to remove the child from her body.
The cast all give fine performances. Aidan Gillen first came to attention sporting an American accent as the mayor in tvs The Wire (2002-8) and and subsequent ongoing role in Game of Thrones (2011 ) it is interesting to see him in his natural voice here. Timothy Spall is an actor who has been largely typecast in roles that require him to be a weak lump of jelly from tvs Auf Weidersehen, Pet (1983-6) onwards through Secrets and Lies (1996) and the Harry Potter films. It is nice to see him here in a role that allows him to do something different where he plays the part of the squire of the community with a relaxed strength, undercutting the wild talk of resurrection ceremonies with a genially relaxed offhandedness.
Wake Wood was the second fiction film film for director David Keating. He and screenwriter Brendan McCarthy returned with the Irish-set occult horror film Cherry Tree (2015).