On the other hand, while Clonheunter showed potential, Android Insurrection, which is made a mere three years later, feels like Andrew Bellwares promise has regressed. This, by contrast, feels more like the ingenue film made by amateurs aiming for vastly higher ambition that their budget ever stretches to. Clonehunter strained to fill the cracks but didnt quite succeed; Android Insurrection simply fails to do so at all. It feels like no more than an amateur film that has received a commercial dvd release.
Android Insurrection has clearly been intended as a low-rent copy of Resident Evil (2002). It features essentially the same plot set-up where a team of mercenaries headed by a woman are sent into a laboratory complex after an artificial intelligence goes amok where they are left having to shoot-off not hordes of zombies but robots animated by the A.I.
The effects in the opening scenes of the team of mercenaries fighting off a giant robot that is built like a wheel are not too bad. However, once we arrive at the laboratory, the robot effects become particularly cheap and unconvincing. The end credits indicate that these are visual effects that were previously created by other artists from around the world and brought under creative commons licence and composited into the film thus we get action scenes where the soldiers are shooting off-screen and rarely seem to be inserted into the same frame as the robots. Worse though, the film radiates its utter impoverishment when it comes to the sets for the laboratory, which seem to involve the soldiers fighting in and around a thoroughly mundane set of office cubicles, a garage and machine workshop.
The cast are adequately competent, apart from Sarah-Doe Osborne cast as the android they rescue who gives an irritating performance where she seems to have decided to play the entire part as a complete space cadet. There is a groan-worthy Philip K. Dick-ian discovery of the true identity of the lead character, while the end offers a slightly more interesting twist with the machines triumphant and parroting a sinisterly distorted version of Isaac Asimovs Three Laws of Robotics.