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  Spain/West Germany/UK/USA. 1968. Director – Jess Franco, Screenplay – Peter Welbeck [Harry Alan Towers], Based on Characters Created by Sax Rohmer, Producer – Harry Alan Towers, Photography – Manurle Merino, Music – Daniel White. Production Company – Udastex Films Limited. Cast: Christopher Lee (Fu Manchu), Howard Marion Crawford (Dr Petrie), Richard Greene (Nayland Smith), Ricardo Palacios (Sancho Lopez), Gotz George (Carl Jansen), Maria Rohm (Ursula Wagner), Tsai Chin (Lin Tang), Loni Von Friedl (Celeste), Francis Kahn (Carmen), Isaura De Oliveira (Yuma), Marcelo Arroita-Jauregui (The Governor), Shirley Eaton (Black Widow)  

For his last two Fu Manchu films, The Blood of Fu Manchu here and the subsequent The Castle of Fu Manchu (1969), Harry Alan Towers employed Spanish exploitation director Jess Franco. Jess (sometimes Jesus) Franco is possibly the most prolific director in the world and has made nearly 200 films between the 1960s and the present. (See bottom of the page for a full list of Jess Franco’s films). Almost all of these fall into the horror or erotic genres, with Franco having become notorious for the frequent sado-sexual element in his films. Franco and Harry Alan Towers would collaborate for a total of nine films beginning with The Blood Fu Manchu and its sequel and running through the likes of The Seven Secrets of Sumuru/The Girl from Rio (1969), Justine (1969), Venus in Furs (1969), The Bloody Judge (1970), Count Dracula (1970), Eugenie/Philosophy in the Boudoir (1970) and 99 Women (1970). Franco’s Fu Manchu entries are usually looked down on by fans of the other entries in the series – they are cheaply made and Franco’s sado-sexuality predilections allowed to intrude. Certainly, The Blood of Fu Manchu is much tamer when placed up alongside some of Jess Franco’s other films. Nevertheless, Franco’s recurrent obsession with seeing naked women being tortured inevitably crops up, including various sequences with the bandits raping and pillaging a village, villager Isaura De Oliveira conducting an erotic dance and sundry toplessness.

The plot of The Blood of Fu Manchu often resembles the one in The Brides of Fu Manchu, which similarly had Fu Manchu with a collection of women under his control, hypnotized and forced to act as his puppets. The plot about women with a deadly kiss or as carriers of a disease was also used in a number of spy films of the era, most notably the James Bond film On Her Majesty’s Secret Service (1969). However, the story here is all over the place. Most of the film consists of Fu Manchu prepping the girls for their mission intercut with numerous scenes of the bandits. It is a plot that never seems to be in the process of going anywhere or building to anything. Disappointingly, Fu Manchu’s customary adversary of Nayland Smith is barely present as a nemesis throughout. He is put out of action early in the show and only appears in two scenes during the first hour. This is peculiarly a Fu Manchu film where Nayland Smith is almost a supporting character to Dr Petrie who gets the lion’s share of the adversarial scenes – although even then these mostly consist of Petrie being played as a comic old duffer Englishman who is absurdly insisting on his creature comforts in the middle of the jungle. More importantly, the film never generates any urgency about the impending fatality of Nayland Smith’s poisoning and the importance of finding the antidote. The film arrives at a perfunctory climax where the lost city is blown up.

One other complaint that might be made of The Blood of Fu Manchu is that Jess Franco’s sense of period is confused. The earlier films established the period they were set as around the 1920s. The Blood of Fu Manchu seems consistent with these – when Loni Von Friedl runs from Nayland Smith’s house, she is run over by a vintage car. On the other hand, in some of the stock background footage that Franco throws in elsewhere, we see modern (1960s) skyscrapers and cars, while throughout the girls are anachronistically dressed in mini-skirts and go-go boots.

Christopher Lee gives his customary cold, dignified performance. Tsai Chin, a delight in the earlier Fu Manchu entries, is not given much to do this time. There is an entertainingly boisterous performance from Ricardo Palacios as the bandit leader. Shirley Eaton, best known as the girl painted in gold in the James Bond film Goldfinger (1964), is cast in the role of The Black Widow in a single scene that looks as though it has nothing to do with the rest of the film. This is not too surprising as the scene was in fact taken from Franco and Towers’ other Sax Rohmer adaptation The Seven Secrets of Sumuru/The Girl from Rio and, according to Shirley Eaton, used without her permission. The film was shot on location in Spain and Brazil.

The other Fu Manchu films include:– a series of 23 short silent British films made between 1923 and 1924 starring H. Agar Lyons as Fu Manchu, all of which appear to be lost today; three early sound films from Paramount, The Mysterious Dr Fu Manchu (1929), The Return of Dr Fu Manchu (1930) and Daughter of the Dragon (1931), starring Warner Oland who later gained fame as Charlie Chan; a 15 chapter serial The Drums of Fu Manchu (1940) from Republic starring Henry Brandon; the tv series The Adventures of Fu Manchu (1956), which only lasted for 11 episodes, starring Glen Gordon; and The Fiendish Plot of Dr Fu Manchu (1980), a parody of the genre that featured Peter Sellers in his last performance playing both Fu Manchu and Nayland Smith. Harry Alan Towers also produced several films based on Sax Rohmer’s Sumuru books about a female super-villain with The Million Eyes of Sumuru (1967), the Jess Franco directed The Seven Secrets of Sumuru/The Girl from Rio/Rio 70 (1969), both starring Shirley Eaton, and Sumuru (2003) starring Alexander Kamp.

Jess Franco’s other films:– The Awful Dr Orloff (1962), The Sadistic Baron Von Klaus (1962), The Secret of Dr Orloff (1964), Attack of the Robots (1966), The Diabolical Dr Z/Miss Death (1966), Necronomicon/Succubus (1968), Justine (1969), Kiss Me Monster (1969), 99 Women (1969), Sadisterotica/Red Lips (1969), The Seven Secrets of Sumuru/The Girl from Rio/Rio 70 (1969), Venus in Furs (1969), The Bloody Judge/Night of the Blood Monster (1970), Count Dracula (1970), Eugenie/Philosophy in the Boudoir (1970), Nightmares Come at Night (1970), Vampyros Lesbos (1970), Dracula, Prisoner of Frankenstein (1971), She Killed in Ecstasy (1971), The Corpse Packs His Bags (1972), Daughter of Dracula (1972), The Demons (1972), Doctor Mabuse (1972), The Erotic Adventures of Frankenstein (1972), The Silence of the Tomb (1972), The Sinister Eyes of Dr Orloff (1973), The Bare-Breasted Countess/Eroti-Kill/Female Vampire (1973), The Erotic Adventures of Maciste in Atlantis (1973), The Obscene Mirror (1973), A Virgin Among the Living Dead/Christina, Princess of Eroticism (1973), Lorna the Exorcist (1974), The Perverse Countess (1974), Eugenie (1975), Doriana Grey (1976), Jack the Ripper (1976), Night of the Assassins (1976), Sexy Sisters (1976), Greta the Mad Butcher/Wanda the Wicked Warden (1977), Voodoo Passion (1977), Wicked Women (1977), Demoniac/Exorcism/The Ripper of Notre Dame (1979), Man Hunter/The Devil Hunter (1980), White Cannibal Queen (1980), Bloody Moon (1981), Oasis of the Zombies (1981), Revenge of the House of Usher (1982), Grave of the Living Dead (1983), The Treasure of the White Goddess (1983), The Sinister Dr Orloff (1984), Mansion of the Living Dead (1985), Faceless (1987), The Killer Barbies (1996), Lust for Frankenstein (1998), Marie-Cookie and the Killer Tarantula in 8 Legs to Love You (1998), Tender Flesh (1998), Vampire Blues (1999), Vampire Junction (2001), Incubus (2002), Killer Barbies vs Dracula (2002), Snakewoman (2005) and Paula-Paula (2010).