CREATURE FROM THE HAUNTED SEA
Creature from the Haunted Sea is usually dismissed as one of the Roger Cormans cheapie monster movies. In fact, it belongs more in the period of A Bucket of Blood and The Little Shop of Horrors where Corman and Charles B. Griffith were foisting their experiments in the wilfully absurd on the public. Within the first few minutes you have no idea what sort of film you are watching the title suggests another 1950s Corman monster movie, instead we get something that looks like an eccentric spy caper comedy with beatniks mouthing spy cliches in deadpan, before the film segues into a series of animated credits with mobsters and villagers being chased around by a monster. Griffith writes absurdly deadpan dialogue: Little did they know that I, Sparks Moran, was an American agent ... My real name was XK150. Or XK150s hilarious little biographies of the other characters: In 1940, he was involved in an unsuccessful attempt to nominate Benito Mussolini for the Republican ticket. During the War he was rejected by the Navy, The Marines and the SS. Later XK150 tells us: He didnt sound like a Cuban to me ... so I decided to knock out the leader of the Cubans with a fish I had on the end of my line and announces his plan: Well wait for nightfall and then jump off and swim through shark-infested waters so no-one will follow us. I liked the sheer silliness of the scene where mobster Anthony Carbone tells moll Betsy Jones-Morland to sing a song while sitting on the prow of the boat and out of nowhere a piano starts to accompany her and then the boat is invaded by pirates and her song continues on throughout the middle of a shootout.
However, Creature from the Haunted Sea gets very silly like when it comes to images of secret agent Edward Wain/Robert Towne reporting to his controllers with a radio set made out of hotdogs and pickles. The constant idiocy of the main characters Anthony Carbone who delivers his performance in a Bogart drawl, Beech Dickerson constantly making animal noises becomes tiresome. Eventually about the point of Beech Dickerson and a woman running around the jungle conducting a romance of animal noises, various spies gathering around a phone on the beach, and particularly the tedious stuff with the crew marrying various native girls the initially amusing absurdities collapse into a film that is being silly for the sake of it. Certainly, The Little Shop of Horrors had the same kind of deadpan silliness, but Creature from the Haunted Sea is an occasion where Corman and Griffith fail to make the same thing work a second time. You get the feeling that Roger Corman and his cast went to Puerto Rico with cameras and made things up as they went along. The monster, when it does turn up, is fairly laughable like a tree trunk with pieces of seaweed draped off it and eyeballs made of marshmallows. The very last image in the film is of it burping.
The actor playing the narrating Agent XK150, billed as Edward Wain, is in fact later-to-be director and Oscar-winning screenwriter Robert Towne, who subsequently wrote works like Chinatown (1974), Shampoo (1975), Greystoke: The Legend of Tarzan, Lord of the Apes (1984) and the first two Mission: Impossible films. There is an amusing story behind how Towne ended up in the cast. He was writing the script for Cormans Last Woman on Earth (1960), which was shot back-to-back in Puerto Rico along with Creature from the Haunted Sea. Corman, the notorious penny pincher, cut the cost of taking a screenwriter with him by getting Towne to double as an actor in both films.
There are claims made on the Internet Movie Database that Creature from the Haunted Sea is a remake of the Roger Corman-Charles B. Griffith film Hawaiian gangster film Naked Paradise (1957) although this is not the case, Naked Paradise doesnt even feature a monster. The IMDB also claims that Creature from the Haunted Sea was remade as Charles B. Griffiths spoof monster movie Up from the Depths (1979) and the cheap Demon of Paradise (1987), although both of these claims are untrue. Even a cursory glance at the entirely different plot descriptions for all four films would demonstrate this to be the case.
Roger Cormans other genre films are:- Day the World Ended (1955), It Conquered the World (1956), War of the Satellites (1956), Attack of the Crab Monsters (1957), Not of This Earth (1957), The Saga of the Viking Women and Their Journey to the Waters of the Great Sea Serpent (1957), The Undead (1957), Teenage Caveman (1958), A Bucket of Blood (1959), The Wasp Woman (1959), The House of Usher/The Fall of the House of Usher (1960), The Little Shop of Horrors (1960), Pit and the Pendulum (1961), Premature Burial (1962), Tales of Terror (1962), Tower of London (1962), The Haunted Palace (1963), The Raven (1963), The Terror (1963), X The Man with X-Ray Eyes (1963), The Masque of the Red Death (1964), The Tomb of Ligeia (1964), The Trip (1967), Gas; or It Became Necessary to Destroy the World in Order to Save It (1970) and Frankenstein Unbound (1990). Cormans World: Exploits of a Hollywood Rebel (2011) is a documentary about Cormans career. Corman has made over 300 film as producer, which are too numerous to list here.
Full film available online here:-