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DEEPSTAR SIX
Rating: 
USA. 1989.
Director Sean S. Cunningham, Screenplay Lewis Abernathy & Geoff Miller, Story Abernathy, Producer Cunningham & Patricia Markey, Photography Mac Ahlberg, Music Harry Manfredini, Visual Effects Supervisor Jim Isaacs, Makeup Effects Greg Nicotero, Mark Shostrom & Chris Walas, Production Design John Reinhart. Production Company Carolco.
Cast:
Greg Evigan (Kevin MacBride), Nancy Everhard (Joyce Collins), Cindy Pickett (Dr Diane Norris), Miguel Ferrer (Tony Snyder), Taurean Blacque (Captain Philip Laidlaw), Nia Peeples (Dr Barbara Scarpelli), Matt McCoy (James Richardson), Marius Weyers (John Van Gelder)
Plot: A US Naval Engineering team is constructing an underwater nuclear missile launch platform. During excavation on the ocean floor they accidentally uncover a previously unknown form of life, which then attacks the installation base. With the pressure lines broken, they are unable to depressurize the escape pods. And with only eight hours before the overheating reactor explodes, the survivors have to fight the creature off as it invades the base.
With the announcement of James Camerons big-budget The Abyss (1989), dozens of penny-ante operators rushed to the fore with their own variations of Aliens Underwater, assuming that Cameron was attempting a submerged version of his previous hit Aliens (1986). Of course when The Abyss premiered it turned out that it wasnt an underwater monster movie type of film at all. 1989 still offered up an instant fad of underwater monster movies anyway, from the reasonably well-budgeted Leviathan (1989) to cheapies like Roger Cormans Lords of the Deep (1989) and the Spanish The Rift/Endless Descent (1990).
But of these first off the mark was Sean S. Cunninghams entertainingly cheesy Deepstar Six. It was probably copied from the even more parsimonious Destination Inner Space (1966). Cunningham had started the decade off with his massively successful B-budget hit Friday the 13th (1980), although he never quite followed that success up in any substantial way and just remained making forgettable B-movies.
Certainly Cunningham is not above stealing from himself to fuel his shocks here like mounting Fridays just-when-you-thought-theyd-escaped climax over again. But then thats only half the generic cliches Cunningham poaches, the mild surprise being that a few of them work quite well. The film is not quite as bad as many make it out to be. Cunningham conducts all the suspense and running around the underwater habitat with competent regard. And theres a good deal of unintentional baloney that adds immeasurably to the basic entertainment value like Miguel Ferrer (the films most enthusiastic over-actor amid the cast of mostly former tv stars and bit-players)s death by a rather absurd case of the bends, or Marius Gorings despatch by injection of explosive oxygen pellets. The monster is designed in such a way that it would have good deal of difficulty actually eating anything in one of the more improbable moves it appears to be capable of biting a two-ton pressure suit in half, yet is restrained by a mere bulkhead door.
Copyright Richard Scheib 1999-2012
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