GOD TOLD ME TO
DEMON; GOD TOLD ME TO KILL
There is an extraordinary conceptual ambition to God Told Me To, which must have seemed even more way out to audiences seeing the film in the 1970s. Cohen throws in everything from people conducting random shootings under mind control; alien abductions and impregnations; virgin births; an alien messiah with androgynous sex organs; not to mention ties it all to Catholicism. There is an immensely whacked out ending where Tony Lo Bianco comes face-to-face with Richard Lynchs alien messiah and Lynch lifts his shirt to reveal a vagina on his side (a shot that was cut out in some US prints) and offers I can have your baby. (A recurrent theme of malignant or bizarre pregnancies runs through many of Larry Cohens films).
On the directors commentary track for the dvd, Larry Cohen says his inspiration for God Told Me To was Superman, which seems odd at first but makes perfect sense the way he explains it. Cohens take was to ask what if a character with superpowers came to Earth would not their natural tendency be to interpret their powers in the dominant ideology of the culture and see themselves as a messianic being? (Cohen also notes that the same theme of a man discovering he has superpowers was used in Unbreakable (2000) in almost identical ways). The film naturally taps into the 1970s fad for Ancient Astronauts created by Erich von Daniken and was possibly the first media work to deal with the theme of alien impregnation.
There are some fine pieces of Cohen-esque writing. One of the best scenes is where Robert Drivas explains perfectly calmly how he shot his wife while his daughter locked herself in the bathroom and he persuaded her to come out by telling her that it was all a game and then shot her too the scene ends with a typically wry Cohen-esque line that compares the shooting with God asking Abraham to sacrifice his son in the Old Testament. God Told Me To also has some beautifully subtle writing like where Tony Lo Bianco seems to be searching for background details on Bernard and then we realize that he is talking about his own adoption and that Lo Biancos mother gave birth by alien impregnation. It is not always clear what is happening I was never certain why, for example, the alien messiah is sending people out to kill there is analogy made to God sending the Plagues of Egypt to terrify the Egyptians but nothing is made any more clear than that. The concepts present are in the end perhaps more than Larry Cohen can realistically bite off but one can only applaud him for the wildness of the ideas he tackles.
In the lead, Tony Lo Bianco, then best known as Raymond Fernandez in The Honeymoon Killers (1970), has a haunted and driven intensity. It is a shame that Lo Bianco has never gone onto anything of significance elsewhere as he clearly had a great deal of potential. (On the commentary track, Larry Cohen tells the amusing story of how his original choice for the role was Robert Forster but he ended up firing him after Forster insisted on chewing gum while shooting).
Larry Cohen made God Told Me To on a miniscule budget. He shot the St Patricks Day parade scene as a teaser but apparently did so without official permission and had his film crew running along trying to weave actors into the action as it happened live. This was sufficient for him to obtain a meagre $125,000 budget to shoot the rest. God Told Me To only did moderate box-office and was not the acclaimed standout that Cohens breakout film Its Alive had been. God Told Me To was also the film debut of comedian Andy Kaufman (who later became a good friend of Cohen). Kaufman has a minor part as the police officer who conducts the shooting in the parade and gets a single line god told me to as he is shot down. Another interesting random fact is how Cohen shot the brief flashback where the woman is abducted by the UFO in England where the UFO is clearly a recycled Eagle spaceship model and its interior taken from the tv series Space: 1999 (1975-6) but with a naked woman overlaid over the shot.
The film exists under several different titles. Cohens original title was God Told Me To and the film has been seen under that name. Cohen had wanted to call it The Alien but this was nixed by distributor New World unaware that the massively popular Alien (1979) would come out a couple of years later. New World instead came up with the title Demon, intending to sell the film on the back of the recent fad for occult films that came after big 1970s hits like The Exorcist (1973) and The Omen (1976). In dvd release, the cover had been subtly retitled God Told Me To Kill with the word kill emphasized in red.
Larry Cohens other films are: the killer mutant baby film Its Alive (1974), It Lives Again/Its Alive (1978), the werewolf comedy Full Moon High (1982), the monster movie Q The Winged Serpent (1982), the sentient fast food takeover film The Stuff (1985), Its Alive III: Island of the Alive (1987), A Return to Salems Lot (1987) the witch comedy Wicked Stepmother (1989) and the mad scientist film The Ambulance (1990). Disappointingly, Cohen appears to have dropped out from directing low-budget genre films from the 1990s onwards. Now he mostly writes screenplays. Cohens other genre scripts include the psycho-thriller Daddys Gone A-Hunting (1969), the psycho artist film Scream, Baby, Scream (1970), the deformed psycho cop film Maniac Cop (1988) and its sequels Maniac Cop II (1990) and Maniac Cop 3: Badge of Silence (1992) (all three of which Cohen also produced), the original story for Abel Ferraras Body Snatchers (1993) remake, the stalker film The Ex (1996), Uncle Sam (1997) about a patriotically minded undead Gulf War veteran, the hilarious psycho sperm donor film Misbegotten (1997), the big-budget psycho-thriller Phone Booth (2002), the imprisonment thriller Captivity (2007), the remake of Its Alive (2008) and Messages Deleted (2009).
Full film available online here:-