(Gojira Ni-sen Mireniamu)
The special effects in Godzilla 2000 are spectacularly good for once. The battle sequences with incredibly detailed model city streets and the camera zipping up to the level of Godzilla and Ogra towering over ships and buildings, being circled by helicopters, or following the path of missiles under bridges, all flawlessly blended with human observers, gives both a real sense of the immensity of the creatures and an authentic sense of verisimilitude to the action. This is the first Godzilla film where one can say they have felt like they were in the middle of the action.
The added bonus with Godzilla 2000 is that it is well directed, which is something one stretches to think can be said about almost any of the other films indeed Takao Owaras other Godzilla films, Godzilla vs Mothra (1992), Godzilla vs Mechagodzilla (1993) and Godzilla vs Destoroyah (1995), are some of the weakest of the modern era. There is a great opening a lighthouse keeper looks out the turret window to see the incongruous image of a boat suspended in mid-air, which is then revealed to be stuck between Godzillas teeth and is followed by a tense sequence inspired no doubt by the similar sequence in Jurassic Park (1993) where a four-wheel drive tries to avoid Godzilla by backing into a tunnel collapsing around it. There is also a suspenseful sequence in the middle with the heroes trying to escape from a building that is about to blow up.
On the minus side, there is some occasionally lame comic relief a sequence where an employer keeps clonking his employee on the head with a pipe although the scenes with the heros precocious daughter Mayu Suzuki are amusing. The English language dubbing, although a good deal better than almost all the other Godzilla films, is sometimes flat and results in some occasional howlers Itll go through Godzilla like crap through a goose, says a general of their new missile. Some of the exclamations are frankly bizarre like the Japanese shopkeepers who cry out Gott in Himmel. The translators must have been comic-book fans, having a newspaper editor at one point give a cry of Great Caesars Ghost the favourite exclamation of Supermans editor Perry White.
The other Godzilla films are: Godzilla, King of the Monsters (1954), Gigantis the Fire Monster/Godzilla Raids Again/The Return of Godzilla (1955), King Kong Vs. Godzilla (1962), Godzilla vs the Thing/Mothra vs Godzilla (1964), Ghidrah the Three-Headed Monster (1964), Monster Zero/Invasion of the Astro Monster (1965), Godzilla vs the Sea Monster/Ebirah, Horror of the Deep (1966), Son of Godzilla (1968), Destroy All Monsters (1968), Godzillas Revenge (1969), Godzilla vs the Smog Monster/Godzilla vs Hedorah (1971), Godzilla vs Gigan/Godzilla on Monster Island (1972), Godzilla vs Megalon (1973), Godzilla vs the Cosmic Monster/Godzilla vs the Bionic Monster/Godzilla vs Mechagodzilla (1974), Terror of Mechagodzilla/Monsters from an Unknown Planet (1976), Godzilla 1985 (1984), Godzilla vs. Biollante (1989), Godzilla vs King Ghidorah (1991), Godzilla vs Mothra (1992), Godzilla vs Mechagodzilla (1993), Godzilla vs Space Godzilla (1994), Godzilla vs Destoroyah (1995), Godzilla vs Megaguirus (2000), Godzilla Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001), Godzilla Against Mechagodzilla (2002), Godzilla: Tokyo SOS (2003), Godzilla: Final Wars (2004) and Shin Godzilla/Godzilla: Resurgence (2016), plus the anime Godzilla: Planet of the Monsters (2017). Both Roland Emmerichs Godzilla (1998) and Gareth Edwards Godzilla (2014) are big-budget, English-language remakes.
(Nominee for Best Musical Score at this sites Best of 1999 Awards).