THE LOVE WAR
The Love War has a reasonable reputation from the era. It came after a decade that was filled with shows like The Twilight Zone (1959-63), The Outer Limits (1963-5) and The Invaders (1967-8), which were progressively turning the alien invader science-fiction of the previous decade inwards. You sneakingly suspect that the entire film here could easily have been condensed to work as an episode of The Twilight Zone. Indeed, Star Trek had previously made a not dissimilar episode about representatives of rival alien species forced to fight it out on a planet with Arena (1966).
The film starts with an undeniable mysteriousness. Lloyd Bridges pursues a man through L.A.s Union Station, using what look like inuktitut snow goggles to locate him, then shoots him and departs as the body disintegrates in a red flame. This is followed by the journey to the small real-life California town of Piru, his befriending Angie Dickinson on the way and explaining to her that he is an alien, about the war with the Zinon and giving her the goggles so that she can see his true form (something we never get to see until the last shot of the film), which causes her to faint.
The set-up has an intrigue, even if the script dabbles in some bad science-fiction Lloyd Bridges keeps coming out with meaningless phrases like Do you believe in infinity? and Infinity exists, or the idea that Earth is caught in the overlap between two other planets (whatever that might mean the idea seems founded in the absurd notion that planets do not rotate in orbits). The film also draws on a certain anthrocentrism in science-fiction throughout this era that any advanced civilisation would have abandoned feelings and emotions long ago and that all they need is to experience human love to reawaken this. Nevertheless, the skulking about and in particular the unusual relationship between the two leads holds the film together. The story arrives at a modestly effective and surprisingly downbeat twist ending (albeit one that the title sort of gives away).
The film has a fascinating cast. Lloyd Bridges, the father of Jeff, was a seasoned actor who had gained great fame as the star of the hit tv series Sea Hunt (1958-61) and went on to a number of other films and tv roles, probably being most well known in later years for his role in Airplane!/Flying High (1980) and other comedies. This was also a time when Angie Dickinson was a hot and sexy talent. She had played a number of roles since the 1950s and was increasingly more known but was not a breakout name until the tv series Police Woman (1974-8) made her into a 1970s sex symbol. Daniel J. Travanti, here billed only as Dan Travanty and playing one of the aliens, had been in mostly tv bit parts since the 1960s and most of the 1970s until he landed the lead role of Captain Furillo in the hit tv series Hill Street Blues (1981-7), which netted him two Emmies as Best Actor.
George McCowan was a Canadian-born director who mostly worked in television. He had just made another non-science-fiction film for tv with The Challenge (1970) with a very similar plot about representatives of warring nations selected to fight it out. Although most of McCowans work was in tv, he had some success with the Natures Revenge film Frogs (1972) and went onto a couple of other none-too-successful Canadian-made genre films with Shadow of the Hawk (1976) about warring American Indian sorcerers and the space opera The Shape of Things to Come (1979).
Film online in several parts beginning here:-