Punisher: War Zone was originally intended as a sequel to the 2004 film but ended up being more of a reboot. It still comes from producer Gale Ann Hurd and it had been planned that Thomas Jane reprise the role of Frank Castle but Jane declined after deciding that the script was too violent and comic-bookish. (It is disappointing when someone like Thomas Jane takes up a role in a comic-book adapted film, the series returns to a more faithful depiction of the comic-book than any of the other Punisher films to date, whereupon Jane departs dismissing it as “too comic-bookish”. It could be a textbook definition of the phrase “being out of touch with your target audience”). The central role of The Punisher/Frank Castle has now been recast with British actor Ray Stevenson who had come to notice internationally after a small role in King Arthur (2004) and then as one of the leads in tv’s Rome (2005-7).

Jonathan Hensleigh has been replaced by German director Lexi Alexander, a karate and kickboxing champion who had previously worked as a stuntwoman before making her directorial debut with Green Street/Hooligans (2005), a testosteronally fired up film about soccer hooliganism. Lexi Alexander gives Punisher: War Zone a great energy – there is a wonderful opening scene in the midst of a mob meeting where the lights abruptly go out and Ray Stevenson appears standing on the dinner table lighting a flare, before abruptly beheading the mafia boss, despatching others with knives thrown into their faces and a chair impaled in someone’s head, before he hangs suspended upside down from the chandelier by his feet spinning around in a circle as he eliminates everybody else with an uzi. It is a scene that comes with a great visceral kick that has more of The Punisher to it in five minutes than the previous film had in its entire running time.

Unlike Jonathan Hensleigh, Lexi Alexander is not afraid to hold back on the violence – Dominic West is despatched by being thrown into a crunching machine filled with glass; a criminal gang are bazookaed by Ray Stevenson as they conduct mid-air acrobatics; others are dropped from buildings to be impaled on spiked railings; and we see faces shot off and fingers impaled in eyeballs. The script, which comes from the duo that co-wrote Iron Man the same year, pays much more respect to the comic-book source and introduces a number of supporting characters and villains from the comic-book. (The film is notedly produced under the Marvel Knights banner, a Marvel comic-book imprint that was designed to deal with more adult material). Punisher: War Zone is even a different film to the original visually – much darker in tone, much more richly vibrant in its lighting schemes. It has the feel of a real Punisher film at last.

One feels somewhat dubious about Ray Stevenson in the title role. The 6’4” Stevenson looks more like a British bouncer than a comic-book superhero. He seems too dour to fill out a larger than life role like The Punisher. Unfortunately, in that Ray Stevenson looks like a big lunk in the role, he fails to bring much emotional depth to the scenes where Castle visits Julie Benz’s widow, expressing regret for the killing of an innocent. Dominic West, a British actor who has gained a reasonable profile on American screens ever since tv’s The Wire (2002-8) and has turned up everywhere from Mona Lisa Smile (2003) to The Forgotten (2004), 300 (2007), Hannibal Rising (2007) and John Carter of Mars (2012), plays the super-villain Jigsaw. West seems to regard comic-book adaptation as meaning an opportunity to give a thoroughly broad and over-the-top playing. The one who stands out in his performance is Doug Hutchinson. He has a chilling deadliness in his presence and Lexi Alexander gives him full opportunity to play to the gallery killing people everywhere. It is he more so than the over-acting Dominic West who becomes the real villain of the show.