All of which makes Soldier when seen seem even more of a disappointment. What held the potential to be a genre classic turns out a surprisingly ordinary variant on the cliched humanization of the inhuman soldier/android theme tried and familiar from the likes of Harlan Ellisons script for The Outer Limits (1963-4), which was also entitled Soldier (1964), and films like Terminator 2: Judgement Day (1991), Universal Soldier (1992) and Solo (1996). Indeed, the story arc that Soldier carves is so identical to Solo programmed soldier/android gets free from military control, discovers a human side amid a group of simple but honest villagers and stands up in armed conflict against his military programmers and, at the climax, in hand-to-hand combat against his intended successor that one is tempted to cry plagiarism had Soldier not been written a number of years before Solo came out.
Soldier proves a competent-enough run through of the cliches and had it been made on a smaller, more intimate scale, one suspects it might have been a more likeable film. It is just that on the A-budget it is made on, its cliches collapse into over-inflated pretension. The scenes among the people on the garbage world are so pumped up with patently artificial emotive cues the honest and earnest simplicity of the communal lifestyle; ragged but plaintive orphans; the woman shot in warm and sensual silhouettes; even, for pitys sake, the pseudo-Celtic wailings of Loreena McKennit on the soundtrack that it collapses into the absurd. The film mounts to an efficiently large scale but unmemorable action climax.
The film is almost saved by Kurt Russells performance. Or more ironically and accurately, his lack of a performance. The very blankness of Russells battle-scarred face, the subtly made-up sunkenness of his eyes, the blank minimalism of the dialogue he gets, creates a character that fascinates in its hollowness. All the emotion comes to be in the smallest movements of the eyes. It is something that nearly gives the film a saving human edge. Alas, audiences failed to respond to Soldier and it was one of the years biggest flops in terms of budget outlay vs returns.
Soldier was the fourth film from director Paul Anderson no relation to director Paul Thomas Anderson of Boogie Nights (1997), Magnolia (1999) and There Will Be Blood (2007) fame who has become a regular genre contributor (he now calls himself Paul W.S. Anderson to avoid confusion). Anderson debuted with the British crime thriller Shopping (1994) and went onto make the unpretentiously enjoyable Mortal Kombat (1995) and Event Horizon (1997), where his directorial style triumphed over one of the most brainless scripts of any science-fiction film in recent years. Following Soldier, Anderson made Resident Evil (2002), AVP: Alien vs. Predator (2004), Death Race (2008), Resident Evil: Afterlife (2010), The Three Musketeers (2011), Resident Evil: Retribution (2012), Pompeii (2014) and Resident Evil: The Final Chapter (2016). Anderson has also written and produced Resident Evil: Apocalypse (2004) and Resident Evil: Extinction (2007), and produced the horror film The Dark (2005), another videogame adaptation DOA: Dead or Alive (2006), the sf film Pandorum (2009), Death Race 2 (2010), Death Race 3: Inferno (2012) and Death Race: Beyond Anarchy (2018).
(Nominee for Best Actor (Kurt Russell) at this sites Best of 1998 Awards).